Hans von Bülow: Works for Piano Volume 2

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it must be candidly noted that Bülow is no Liszt, and his compositions generally remain firmly in the realm of imitation rather than innovation. It is not bad imitation, for all that, and one... — MusicWeb International, 7th November 2013 More…

Release Date: 16th Sep 2013
Catalogue No: NI5907
Label: Nimbus
Length: 61 minutes

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Bülow, H: Mazurka-Fantaisie, Op. 13

Work length9:48

$1.50

$2.10

Mark Anderson

Bülow, H: Elfenjagd, Op. 14 (Impromptu)

Work length6:50

$1.00

$1.40

Mark Anderson

Bülow, H: Mazurka-Impromptu, Op. 4

Work length6:00

$1.00

$1.40

Mark Anderson

Bülow, H: Invitation à la Polka, Op. 6

Work length6:49

$1.00

$1.40

Mark Anderson

Bülow, H: Chant Polonais (alla Mazurka) Op.12

Work length5:38

$1.00

$1.40

Mark Anderson

Bülow, H: Trois Valse caractéristique, Op. 18

Work length17:47

$3.50

$4.90

Mark Anderson

I. Valse de 'L'Ingénu'

Track length6:23

$1.00

$1.40

II. Valse du 'Jaloux'

Track length4:10

$1.00

$1.40

III. Valse du 'Glorieux'

Track length7:14

$1.50

$2.10

Bülow, H: Königsmarsch, Op. 28

Work length8:21

$1.50

$2.10

Mark Anderson

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About

Mark Anderson is a native of the San Francisco Bay Area. His formative teachers were Trula Whelan and Aiko Onishi in the USA, and Ryszard Bakst and Benjamin Kaplan in the UK.

He has performed world-wide as a chamber musician and soloist, appearing with Sir Simon Rattle, Nicholas McCegan, William Boughton, George Cleve, Adam Fischer, and many others. Mark has given recitals in New York’s Alice Tully Hall and Weill Hall, the Kennedy Center, the Phillips Gallery in Washington D.C., London's Wigmore Hall, and Zurich's Tonhalle. His performances have been featured on BBC Radio 3, the CBC in Canada, and on radio and television in Spain, Italy, Ireland, Japan and the United States.

Conductor, pianist, teacher, writer and composer Hans Guido Von Bulow was a key figure in nineteenth-century music.

Kenneth Birkin, in his book, Hans von Bülow, A Life for Music, published in 2011, observes that he ‘never really made the grade as a composer’. However, whilst it is true that Bülow is perhaps best known for his editions of keyboard works by other composers such as Bach, Beethoven, Chopin, Mendelssohn, Domenico Scarlatti and Weber. Bülow also wrote a substantial number of solo piano pieces, songs, chamber works and choral music.

When considering Bülow’s compositions in his book, ‘Hans von Bülow: a Life and Times’, published in 2010, Alan Walker singled out the Mazurka-Fantasie Op.13, together with other piano pieces, such as the Ballade Op.11 and Il Carnevale di Milano Op.21 (recorded on Nimbus NI 5876), as ‘worth reviving’.

They represent Bülow at his best as a composer, proving that his creative talents were not negligible, even if, in the end, they were no match for his remarkable powers as a promoter and interpreter of the works of others.

Reviews

7th November 2013

it must be candidly noted that Bülow is no Liszt, and his compositions generally remain firmly in the realm of imitation rather than innovation. It is not bad imitation, for all that, and one or another of the items on this disc - and definitely the Königsmarsch - would make a pleasant change in recitals from more standard fare.

Hans von Bülow: Works for Piano Volume 2

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