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Gesualdo: Responses for Holy Week
Collegium Vocale Gent, Philippe Herreweghe
the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark...
Gesualdo: Responses for Holy Week
Collegium Vocale Gent, Philippe Herreweghe
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the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark...
About
The second project of Collegium Vocale Gent and Philippe Herreweghe for Phi to focus on Renaissance music is devoted to one of the most remarkable of all composers: Carlo Gesualdo. Both his life, characterised by extravagant and excessive behaviour, and his compositions left their mark on the history of music. Although best known for his secular music, he also wrote an almost equivalent number of sacred works that demonstrate his fervent faith. The Tenebrae Responsories comprise a set of pieces for Holy Week, in all twenty-seven motets for six voices, a psalm, and a hymn, published under his own supervision in 1611. As in his madrigals, the music is underpinned by many unexpected chromatic variations that create expressive images evoking tears, the earthquake, the despair of Christ on the cross, etc. The acoustics of the church of the village of Asciano in Tuscany, where the programme was recorded in 2011, create the perfect soundscape for this music.
Contents and tracklist
- Philippe Herreweghe, Collegium Vocale Gent
- Recorded: June-August 2012
- Recording Venue: Notre Dame du Liban, Paris, France and Chiesa di San Francesco, Asciano, Italy
- Philippe Herreweghe, Collegium Vocale Gent
- Recorded: June-August 2012
- Recording Venue: Notre Dame du Liban, Paris, France and Chiesa di San Francesco, Asciano, Italy
- Philippe Herreweghe, Collegium Vocale Gent
- Recorded: June-August 2012
- Recording Venue: Notre Dame du Liban, Paris, France and Chiesa di San Francesco, Asciano, Italy
- Philippe Herreweghe, Collegium Vocale Gent
- Recorded: June-August 2012
- Recording Venue: Notre Dame du Liban, Paris, France and Chiesa di San Francesco, Asciano, Italy
- Philippe Herreweghe, Collegium Vocale Gent
- Recorded: June-August 2012
- Recording Venue: Notre Dame du Liban, Paris, France and Chiesa di San Francesco, Asciano, Italy
Awards and reviews
January 2014
the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark glitter of the low voices in Aestimatus sum is magical).
February 2014
To the music's overt drama Philippe Herreweghe responds with a typically more measured controlled performance, so one may say that the performance is cooler than the music...the set is one of their most impressive achievements.
6th January 2014
Herreweghe's and the Collegium Vocale Ghent's can easily be considered the most precise, alive and rounded view of the Responsories...The Collegium's achievement is all the more remarkable because of their marriage - without sentimentality - of concision, concentration and sentiment.