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Gesualdo: Responses for Holy Week

Collegium Vocale Gent, Philippe Herreweghe

Gesualdo: Responses for Holy Week
the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark...

Gesualdo: Responses for Holy Week

Collegium Vocale Gent, Philippe Herreweghe

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the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark...

About

The second project of Collegium Vocale Gent and Philippe Herreweghe for Phi to focus on Renaissance music is devoted to one of the most remarkable of all composers: Carlo Gesualdo. Both his life, characterised by extravagant and excessive behaviour, and his compositions left their mark on the history of music. Although best known for his secular music, he also wrote an almost equivalent number of sacred works that demonstrate his fervent faith. The Tenebrae Responsories comprise a set of pieces for Holy Week, in all twenty-seven motets for six voices, a psalm, and a hymn, published under his own supervision in 1611. As in his madrigals, the music is underpinned by many unexpected chromatic variations that create expressive images evoking tears, the earthquake, the despair of Christ on the cross, etc. The acoustics of the church of the village of Asciano in Tuscany, where the programme was recorded in 2011, create the perfect soundscape for this music.

Contents and tracklist

I. In monte Oliveti
Track length4:19
II. Tristis est anima mea
Track length4:34
III. Ecce vidimus eum
Track length6:55
IV. Amicus meus
Track length3:32
V. Judas mercator pessimus
Track length2:09
VI. Unus ex discipulis meis
Track length5:07
VII. Eram quasi agnus innocens
Track length5:14
VIII. Una hora
Track length3:14
IX. Seniores populi
Track length5:37
I. Omnes amici mei
Track length3:50
II. Velum templi
Track length3:36
III. Vinea mea electa
Track length3:18
IV. Tamquam ad latronem
Track length2:59
V. Tenebrae factae sunt
Track length4:31
VI. Animam meam dilectam
Track length7:20
VII. Tradiderunt me
Track length2:24
VIII. Jesum tradidit impius
Track length3:34
IX. Caligaverunt oculi mei
Track length7:00
I. Sicut ovis
Track length3:26
II. Jerusalem, surge
Track length3:07
III. Plange quasi virgo
Track length5:07
IV. Recessit pastor noster
Track length3:39
V. O vos omnes
Track length3:36
VI. Ecce quomodo moritur justus
Track length5:10
VII. Astiterunt reges terrae
Track length1:53
VIII. Aestimatus sum
Track length3:10
IX. Sepulto Domino
Track length4:36

Awards and reviews

January 2014

the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark glitter of the low voices in Aestimatus sum is magical).

February 2014

To the music's overt drama Philippe Herreweghe responds with a typically more measured controlled performance, so one may say that the performance is cooler than the music...the set is one of their most impressive achievements.

6th January 2014

Herreweghe's and the Collegium Vocale Ghent's can easily be considered the most precise, alive and rounded view of the Responsories...The Collegium's achievement is all the more remarkable because of their marriage - without sentimentality - of concision, concentration and sentiment.
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