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Special offer. Lassus: Lagrime di San Pietro
Gallicantus, Gabriel Crouch (director)
Awards:
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Gramophone Magazine, December 2013, Editor's Choice
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Gramophone Awards, 2014, Finalist - Early Music
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Building a Library, December 2016, First Choice
The sound image is compelling on its own terms, with the homogeneity typical of ensembles with countertenors on the top lines. But it's a flexible interpretation nonetheless...an involving experience.
Special offer. Lassus: Lagrime di San Pietro
Gallicantus, Gabriel Crouch (director)
Purchase product
Awards:
-
Gramophone Magazine, December 2013, Editor's Choice
-
Gramophone Awards, 2014, Finalist - Early Music
-
Building a Library, December 2016, First Choice
The sound image is compelling on its own terms, with the homogeneity typical of ensembles with countertenors on the top lines. But it's a flexible interpretation nonetheless...an involving experience.
About
Orlande de Lassus, Europe’s most famous musician during his lifetime, created nothing finer than the 'Lagrime di San Pietro', a collection of 20 spiritual madrigals and one motet for seven voices. A cycle of intense reflections on the sorrows of St Peter following his denial of Christ, it was assembled shortly before the composer’s death in 1594 and dedicated to Pope Clement VIII. Into this collection Lassus pours every dramatic nuance and piece of harmonic invention he could possibly muster, hurling the listener through the stages of Peter’s rage, remorse and resignation, and concluding with a motet which presents Christ’s response to the world.
Gallicantus (Latin for ‘song of the rooster’) add to their already impressive catalogue of works on Signum with this new recording. Their previous release 'The Word Unspoken', sacred music by William Byrd and Philippe de Monte, was picked as a critics' choice disc 2012 by BBC Radio 3 CD Review.
Contents and tracklist
Awards and reviews
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Gramophone MagazineDecember 2013Editor's Choice
December 2013
The sound image is compelling on its own terms, with the homogeneity typical of ensembles with countertenors on the top lines. But it's a flexible interpretation nonetheless...an involving experience.
13th November 2013
Crouch makes his singers follow the nuances most carefully, underlining words and phrases through dynamic shading and looking for the optimum transparency...This is a thoroughly compelling performance which has all the qualities necessary to make a lasting good impression.
Early Music Today December 2013
Everything Gallicantus touches seems to turn to gold… A large part of the appeal comes from the wonderfully blended all-male sound countertenors Mark Chambers and David Allsopp cover the whole stave with ease, supported by a rich scaffolding of tenors, baritones and low, low bass.