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Special offer. Matthew Taylor: Viola Concerto & Symphony No. 2
Sarah-Jane Bradley (viola)
BBC Symphony Orchestra, Garry Walker
Altogether a splendid demonstration of the individual mastery of a composer who certainly deserves wider appreciation.
Special offer. Matthew Taylor: Viola Concerto & Symphony No. 2
Sarah-Jane Bradley (viola)
BBC Symphony Orchestra, Garry Walker
Purchase product
Altogether a splendid demonstration of the individual mastery of a composer who certainly deserves wider appreciation.
About
Matthew Taylor’s sense of musical architecture extends the symphonic tradition of Sibelius and Nielsen into the modern age. The mighty symphonies of Robert Simpson are an important influence on Taylor’s style. Taylor’s Second Symphony, first drafted when the composer was only 27, responds to the symphonic challenge with a mighty explosion of energy, the four movements representing the development of the human embryo from conception to birth. Taylor’s fellow-composer Robin Holloway described the Symphony as ‘exceedingly powerful – tough, cogent, persuasive, compelling’. The more inward, reflective Viola Concerto pays homage in spirit, though not in style, to Sibelius’ Humoresker for violin and orchestra and Schumann’s Humoreske for piano. The is the third CD that Garry Walker has conducted for Toccata Classics, after the two well-received releases of Havergal Brian recorded with the BBC Scottish Symphony Orchestra on his native soil.
Contents and tracklist
- Sarah-Jane Bradley
- BBC Symphony Orchestra
- Garry Walker
- BBC Symphony Orchestra
- Garry Walker
Awards and reviews
October 2013
Altogether a splendid demonstration of the individual mastery of a composer who certainly deserves wider appreciation.
18th July 2013
Simpson's approach to symphonic writing seems to have left the deepest impression on Taylor's own music...there are other composers in the stylistic mix that he has created for himself – Sibelius and Nielsen most obviously, but Tippett and occasionally Britten too. None of them is merely imitated; all inform the music rather than dominate it.