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Van Nostrand: Voyage in a White Building

Robert Stallman, Jay Humeston, Herman Weiss, Paul Severtson

NEC Chamber Ensemble, Anthony Coleman

explorers of 20th century contemporary music should be aware of Burr Van Nostrand, and this is a rare and essential source for hearing his music...The music isn't 'easy', but it is composed...

Van Nostrand: Voyage in a White Building

Robert Stallman, Jay Humeston, Herman Weiss, Paul Severtson

NEC Chamber Ensemble, Anthony Coleman

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explorers of 20th century contemporary music should be aware of Burr Van Nostrand, and this is a rare and essential source for hearing his music...The music isn't 'easy', but it is composed...

About

This long-awaited recording includes three extraordinary works by one of America’s most original and forward-thinking composers—all of the works included here were composed between 1966–1972. The music of Burr Van Nostrand (b. 1945), although born from, and deeply rooted in, the anti-war counterculture avantgarde of the 1960s and 70s, remains as strikingly fresh and timeless today as when it was first performed.

Contents and tracklist

Schwangesang #1
Track length1:20
Vredens Dag
Track length6:34
9 Miracles
Track length6:16
Hälfte des Lebens: stanza 1—Interlude: Schwangesang #2—stanza 2
Track length12:21
This track is only available as an album download.
Receding Attenuations
Track length5:35
Schwangesang #3
Track length1:47
2—Fragments
Track length3:19
1—Very slow, suspended
Track length6:00
3—Violent, fast–very slow
Track length3:12
Whisper exquisitely, Cadenza
Track length7:06
Light and edgy, Placid
Track length3:34
Oh! Oh? Oh. . . Violent, Sad, Fragments
Track length13:09
This track is only available as an album download.

Awards and reviews

27th November 2013

explorers of 20th century contemporary music should be aware of Burr Van Nostrand, and this is a rare and essential source for hearing his music...The music isn't 'easy', but it is composed in the same kind of detailed and deeply considered way as any other good composer, and serves as strong evidence that true avant-garde means of expression can have much to teach us in any period.
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