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Special offer. Corelli: Church Sonatas Opp. 1 & 3

The Avison Ensemble: Pavlo Beznosiuk (violin), Caroline Balding (violin), Richard Tunnicliffe (cello), Paula Chateauneuf (archlute), Roger Hamilton (harpsichord)

Corelli: Church Sonatas Opp. 1 & 3

Awards:

Violinists Pavlo Beznosiuk and Caroline Balding have a clear tone and easy style of playing that fits these works perfectly. The intonation is excellent, and the straight tone allows for Corelli’s...

Special offer. Corelli: Church Sonatas Opp. 1 & 3

The Avison Ensemble: Pavlo Beznosiuk (violin), Caroline Balding (violin), Richard Tunnicliffe (cello), Paula Chateauneuf (archlute), Roger Hamilton (harpsichord)

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($26.75) Reduced price $18.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($20.00) Reduced price $14.00

320 kbps, MP3

Original price ($13.25) Reduced price $9.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Violinists Pavlo Beznosiuk and Caroline Balding have a clear tone and easy style of playing that fits these works perfectly. The intonation is excellent, and the straight tone allows for Corelli’s...

About

‘Opus 1 & 3: Church Sonatas’ is the final recording in The Avison Ensemble’s welcome undertaking to record Corelli’s complete chamber music in celebration of the 300th anniversary of the composer’s death.

A fittingly satisfying finale to the series, Corelli’s church sonatas are exquisite, highly refined compositions representing a high point of Italian Baroque instrumental music.

Corelli’s contribution to the history of violin performance was immense. All six of his published collections of instrumental music demonstrate his exceptional skill as a violinist and composer.

The series has been greeted with wide critical acclaim: Opus 2 & 4 was named ‘Recording of the Month’ by Musicweb International which also named Opus 6 a 2012 ‘Recording of the Year’, whilst Opus 5 was awarded 4½ stars by BBC Music Magazine who praised Beznosiuk’s ‘intuitively musical performances.’

Formed in 1985, the Ensemble has attracted great critical acclaim. The Guardian commented: ‘I’d take the Avison Ensemble over Karajan…any day’.

The Avison Ensemble comprises some of Europe's leading Baroque musicians, including artists from The Hague, Germany, France, Austria and London, with international soloists from all over the globe.

Pavlo Beznosiuk, the UK's foremost Baroque violin virtuoso, is in demand as a soloist and orchestral leader performing regularly with the Academy of Ancient Music and Orchestra of the Age of Enlightenment.

Contents and tracklist

I. Grave
Track length1:18
II. Allegro
Track length1:32
III. Adagio
Track length1:31
IV. Allegro
Track length1:44
I. Grave
Track length1:28
II. Vivace
Track length0:57
III. Adagio
Track length1:16
IV. Allegro
Track length1:18
I. Grave
Track length1:14
II. Allegro
Track length2:05
III. Adagio
Track length1:49
IV. Allegro
Track length1:32
I. Vivace (Attacca)
Track length0:49
II. Adagio
Track length1:00
III. Allegro
Track length1:11
IV. Presto
Track length0:55
V. Allegro
Track length1:24
I. Grave
Track length2:08
II. Allegro
Track length1:34
III. Adagio. Allegro
Track length1:31
IV. Allegro
Track length1:17
I. Grave
Track length1:03
II. Largo
Track length2:08
III. Adagio
Track length1:47
IV. Allegro
Track length1:25
I. Allegro
Track length1:37
II. Grave
Track length1:21
III. Allegro
Track length1:33
I. Grave
Track length1:28
II. Allegro
Track length1:37
III. Largo
Track length2:16
IV. Vivace
Track length1:22
I. Allegro
Track length1:24
II. Adagio - Allegro
Track length1:22
III. Adagio
Track length1:51
IV. Allegro - Adagio
Track length1:27
I. Grave
Track length0:57
II. Allegro (Attacca)
Track length0:39
III. Allegro
Track length0:53
IV. Adagio
Track length1:22
V. Allegro
Track length1:24
I. Grave
Track length1:26
II. Allegro
Track length1:20
III. Adagio
Track length1:31
IV. Allegro
Track length1:35
I. Grave
Track length1:44
II. Largo e puntato
Track length1:43
III. Grave
Track length1:04
IV. Allegro
Track length1:52
I. Grave
Track length1:33
II. Allegro
Track length1:22
III. Vivace
Track length2:04
IV. Allegro
Track length1:22
I. Grave
Track length1:44
II. Allegro
Track length1:02
III. Adagio
Track length2:05
IV. Allegro
Track length2:07
I. Grave
Track length1:33
II. Vivace
Track length0:36
III. Largo
Track length2:27
IV. Allegro
Track length1:48
I. Largo
Track length2:12
II. Vivace
Track length1:18
III. Adagio
Track length2:12
IV. Presto
Track length1:17
I. Grave
Track length2:05
II. Allegro
Track length1:29
III. Largo
Track length1:40
IV. Allegro
Track length1:17
I. Vivace
Track length1:53
II. Grave
Track length1:35
III. Allegro
Track length1:19
IV. Allegro
Track length1:12
I. Grave
Track length1:43
II. Allegro
Track length0:58
III. Adagio
Track length2:08
IV. Allegro
Track length1:31
I. Largo
Track length1:48
II. Allegro
Track length1:27
III. Largo
Track length1:38
IV. Allegro
Track length1:40
I. Grave
Track length1:42
II. Vivace
Track length1:03
III. Largo
Track length1:55
IV. Allegro
Track length2:02
I. Vivace
Track length0:52
II. Allegro
Track length1:18
III. Adagio
Track length0:36
IV. Allegro
Track length1:48
I. Grave
Track length1:25
II. Presto
Track length1:15
III. Adagio
Track length1:43
IV. Allegro
Track length1:25
I. Grave
Track length2:14
II. Vivace
Track length1:01
III. Allegro
Track length0:56
IV. Allegro
Track length1:46
V. Allegro
Track length1:20

Awards and reviews

  • BBC Music Magazine
    October 2014
    Chamber Choice

January/February 2020

Violinists Pavlo Beznosiuk and Caroline Balding have a clear tone and easy style of playing that fits these works perfectly. The intonation is excellent, and the straight tone allows for Corelli’s often interesting counterpoint and suspensions to be perceived with ease. The violins are lighter and the enhanced continuo group provides a good foil for the higher pitches. Ornamentation is used discretely, and I find the tempos fit the music by being never too slow or rushing thingsFor collectors of Baroque music, this is the go-to recording of works that defined the chamber genre during that period.

20th April 2014

the music is intimate and personal. Arresting ideas dart around in the faster movements, while the slower ones are characterised by their expressive sequences and suspensions. The illustrious five players of the Avison Ensemble offer shapely readings, phrasing beautifully and making the most of every nuance.
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