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Special offer. Britten: Violin Concerto Op. 15

Livia Sohn (violin), with Jan Rokyta (cimbalom)

Orchestra del Teatro Marrucino di Chieti, Banff Centre Chamber Orchestra, Luigi Piovano, Henk Guittart

Britten: Violin Concerto Op. 15
Sohn's playing...is shot through with angst and urgency - but her conductor, Luigi Piovano, sometimes lets the tension sag.

Special offer. Britten: Violin Concerto Op. 15

Livia Sohn (violin), with Jan Rokyta (cimbalom)

Orchestra del Teatro Marrucino di Chieti, Banff Centre Chamber Orchestra, Luigi Piovano, Henk Guittart

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This release includes a digital booklet

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Sohn's playing...is shot through with angst and urgency - but her conductor, Luigi Piovano, sometimes lets the tension sag.

About

Benjamin Britten, whose centenary we celebrate this year, channeled his rejection of war and hatred of fascism in his Violin Concerto, The work, a landmark of the repertoire, is unbridled in its lyricism and constitutes a poignant commentary on the devastating violence of his time.

Nearly 70 years after the Holocaust, with same concerns as Britten, composer Jonathan Berger has also turned to a violin concerto. 'Jiyeh', a town on the Lebanese coast, 27 km south of Beirut and 10km north of Sidon, is built on the ancient city of Porphyreon, where a whale was purported to have returned Jonah to the shore. It is also the site of a major oil spill in 2006 caused by rocket fire on the third day of the military conflict between Israel and Hezbollah. Jonathan Berger became obsessed by patterns on satellite pictures of the spill which in turn inspired his violin concerto written for, and premiered by, Livia Sohn in 2007.

Contents and tracklist

I. Moderato con moto
Track length9:35
II. Vivace
Track length8:37
III. Passacaglia, Andante lento
Track length13:54
I. Aggrassivo e angolare
Track length10:54
II. Adagio cantabile
Track length5:42
III. Decisivo, con forza
Track length7:37

Awards and reviews

August 2013

Sohn's playing...is shot through with angst and urgency - but her conductor, Luigi Piovano, sometimes lets the tension sag.

September 2013

[The Berger] is certainly a powerful and dramatic work… pinpoint harmonies at the end of the movement. The scherzo is brilliantly done and the finale is most convincing, the long, plaintive coda particularly successful.
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