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Liszt: Via Crucis

Jean-Claude Pennetier (piano)

Vox Clamantis, Jaan-Eik Tulve

Liszt: Via Crucis
A happy marriage of pungent Estonian choral singing and French pianism, as one of Liszt's most distinctive works is heard in the setting of plainchant and religiously inspired piano solos.

Liszt: Via Crucis

Jean-Claude Pennetier (piano)

Vox Clamantis, Jaan-Eik Tulve

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A happy marriage of pungent Estonian choral singing and French pianism, as one of Liszt's most distinctive works is heard in the setting of plainchant and religiously inspired piano solos.

About

'Via Crucis' is probably one of Franz Liszt's boldest and most original works. Its musical inspiration, which ranges from Gregorian chant to Lutheran chorales, is here expressed in extremely modern harmonies that are at times Wagnerian. The programme is completed with Liszt piano pieces on a religious theme, played by Jean-Claude Pennetier: 'Weinen, Klagen, Sorgen, Zagen' and 'Pater Noster', written after the death of Liszt's daughter Blandine, and plainchant from the liturgy of Holy Week, one of the major sources of inspiration for 'Via Crucis'.

Founded in 1996 the Estonian ensemble Vox Clamantis is conducted by Jaan-Eik Tulve.

Contents and tracklist

Vexilla regis
Track length4:19
Station I Jesus wird zum tode verdammt
Track length1:11
Station II Jesus trägt sein kreuz
Track length2:23
Station III Jesus fällt zum ersten mal
Track length1:28
Station IV Jesus begegnet seiner heiligen mutter
Track length2:22
Station V Simon von kryene hilft jesus das kreuz tragen
Track length3:09
Station VI Sancta veronica
Track length2:39
Station VII Jesus fällt zum zweiten mal
Track length1:28
Station VIII Die frauen von jerusalem
Track length3:04
Station IX Jesus fällt zum dritten mal
Track length1:28
Station X Jesus wird entkleidet
Track length1:35
Station XI Jesus wird ans kreuz geschlagen
Track length0:46
Station XII Jesus stirbt am kreuze
Track length8:48
Station XIII Jesus wird vom kreuz genommen
Track length3:48
Station XIV Jesus wird ins grab gelegt
Track length5:11

Awards and reviews

May 2013

A happy marriage of pungent Estonian choral singing and French pianism, as one of Liszt's most distinctive works is heard in the setting of plainchant and religiously inspired piano solos.

May 2013

The two a cappella Gregorian chants are sung here with a rounded, disembodied sound, beautiful in its austerity and removed from constraints of time or space.
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