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The Coral Sea

New music for soprano saxophone and piano

Sue McKenzie (saxophone) & Ingrid Sawers (piano)

The Coral Sea
an agreeable collection of works … a strong roster of composers

The Coral Sea

New music for soprano saxophone and piano

Sue McKenzie (saxophone) & Ingrid Sawers (piano)

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an agreeable collection of works … a strong roster of composers

About

A Robert Mapplethorpe photograph and the playing style of Busoni’s favourite clarinettist - just two of the inspirations behind these six recent British works for saxophone and piano, which are linked by the composers’ relationship to popular music, whether oblique, overt, or antagonistic.

From the pounding muscularity of Graham Fitkin to the blues-drenched melancholy of Mark-Anthony Turnage, Edinburgh duo Sue McKenzie and Ingrid Sawers bring stylistic authority and idiomatic flair to everything they play on this, their debut recording.

Sue McKenzie is a past winner of the British Clarinet and Saxophone Society Young Performers Competition. As one of Scotland's leading contemporary saxophonists she has given UK and Scottish premieres of many new works for saxophone, including those from Gavin Bryars, Graham Fitkin and Amy Quate. Susan is also the leader of the Scottish Saxophone Ensemble and was an Assistant Director of the World Saxophone Congress in 2012.

Ingrid Sawers is in demand as one of Scotland's finest accompanists and chamber musicians, performing in venues including the Usher Hall, Glamis Castle and Scone Palace, as well as widely throughout the UK and abroad.

Contents and tracklist

I. Prologue
Track length0:53
II. Voyage
Track length12:39
III. Litany
Track length3:12
No. 1, Trier
Track length2:27
No. 2, Memorial
Track length2:29

Awards and reviews

June 2013

an agreeable collection of works … a strong roster of composers

10th February 2013

a varied, enjoyable CD of six recent works by British composers...The instrument's jazz heritage is ever present, from the bluesy rhetoric of Jackson's title piece to the sad poetry of Turnage's Two Memorials.

1st March 2013

Alban Gerhardt’s recent recording smeared these pieces with grandiloquence. Higham is simpler, cleaner and better.
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