Strauss, J, II: Die Fledermaus
Seefestspiele Morbisch 2012
Herbert Lippert (Eisenstein), Alexandra Reinprecht (Rosalinde), Daniela Fally (Adele), Daniel Serafin (Dr. Falke), Angus Wood (Alfred), Harald Serafin (Frank), Gernot Heinrich (Dr. Blind), Helmuth Lohner (Frosch), Daniela Lehner (Ida)
Festival Orchestra Morbisch, Chor und Ballett der Seefestspiele...
Angus Wood is wholeheartedly Italianate...Kushpler is a magnificent Orlofsky, alluring in her appearance and more full-blooded, less blasé than the traditional Russian prince...The playing of...
Strauss, J, II: Die Fledermaus
Seefestspiele Morbisch 2012
Herbert Lippert (Eisenstein), Alexandra Reinprecht (Rosalinde), Daniela Fally (Adele), Daniel Serafin (Dr. Falke), Angus Wood (Alfred), Harald Serafin (Frank), Gernot Heinrich (Dr. Blind), Helmuth Lohner (Frosch), Daniela Lehner (Ida)
Festival Orchestra Morbisch, Chor und Ballett der Seefestspiele...
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Angus Wood is wholeheartedly Italianate...Kushpler is a magnificent Orlofsky, alluring in her appearance and more full-blooded, less blasé than the traditional Russian prince...The playing of...
About
English subtitles.
Artists
Herbert Lippert (Eisenstein), Alexandra Reinprecht (Rosalinde), Daniela Fally (Adele), Daniel Serafin (Dr. Falke), Angus Wood (Alfred), Harald Serafin (Frank), Gernot Heinrich (Dr. Blind), Helmuth Lohner (Frosch), Daniela Lehner (Ida)
Festival Orchestra Morbisch, Chor und Ballett der Seefestspiele Morbisch, Manfred Mayrhofer
Contents and tracklist
- Herbert Lippert (Eisenstein), Alexandra Reinprecht (Rosalinde), Daniela Fally (Adele), Daniel Serafin (Dr. Falke), Angus Wood (Alfred), Harald Serafin (Frank), Gernot Heinrich (Dr. Blind), Helmuth Lohner (Frosch), Daniela Lehner (Ida)
- Festival Orchestra Morbisch, Chor und Ballett der Seefestspiele Morbisch
- Manfred Mayrhofer
Awards and reviews
19th September 2013
Angus Wood is wholeheartedly Italianate...Kushpler is a magnificent Orlofsky, alluring in her appearance and more full-blooded, less blasé than the traditional Russian prince...The playing of the orchestra is, it need hardly be said, idiomatic and technically first class.