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Brahms: Cello Sonatas Nos. 1 & 2 & Clarinet Trio

Ophélie Gaillard (cello) & Louis Schwizgebel-Wang (piano), with Fabio di Càsola (clarinet)

Gaillard has always displayed an extraordinary palette of colours and these some alive more than ever on this recording...the voyage into earlier repertoire since her last such disc...seems...

Brahms: Cello Sonatas Nos. 1 & 2 & Clarinet Trio

Ophélie Gaillard (cello) & Louis Schwizgebel-Wang (piano), with Fabio di Càsola (clarinet)

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Gaillard has always displayed an extraordinary palette of colours and these some alive more than ever on this recording...the voyage into earlier repertoire since her last such disc...seems...

About

Brahms's important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinettist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.

Louis Schwizgebel-Wang was awarded 2nd prize at the Leeds Piano Competition 2012.

Contents and tracklist

I. Allegro vivace
Track length8:30
II. Adagio affettuoso
Track length6:21
III. Allegro passionato
Track length6:46
IV. Allegro
Track length4:32
I. Allegro
Track length14:17
II. Allegretto quasi minuetto
Track length5:17
III. Allegro
Track length6:19
I. Allegro alla breve
Track length7:30
II. Adagio
Track length7:27
III. Andantini grazioso
Track length3:57
IV. Finale : allegro
Track length4:24

Awards and reviews

November 2013

Gaillard has always displayed an extraordinary palette of colours and these some alive more than ever on this recording...the voyage into earlier repertoire since her last such disc...seems to have informed her playing with even more subtlety than before.
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