Kalkadunga: Works for Didjeridu & Orchestra
William Barton (didjeridu)
Sydney Symphony Orchestra, The Queensland Orchestra, Southern Cross Soloists, Adelaide Chamber Singers, Adelaide Symphony Orchestra, Richard Gill, Michael Christie, Arvo Volmer
Mere words can’t begin to describe the noise made by William Barton in full flow. It’s a sonorous, low roar that sets your stomach wobbling, made more startling by the array of harmonics and...
Kalkadunga: Works for Didjeridu & Orchestra
William Barton (didjeridu)
Sydney Symphony Orchestra, The Queensland Orchestra, Southern Cross Soloists, Adelaide Chamber Singers, Adelaide Symphony Orchestra, Richard Gill, Michael Christie, Arvo Volmer
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Mere words can’t begin to describe the noise made by William Barton in full flow. It’s a sonorous, low roar that sets your stomach wobbling, made more startling by the array of harmonics and...
About
The didjeridu player William Barton has a once-in-a-generation talent and has collaborated with many Australian composers. This release features compositions by this artist together with those of Peter Sculthorpe.
Contents and tracklist
- William Barton (didgeridoo), William Barton (electric guitar)
- Sydney Symphony Orchestra
- Richard Gill
- Recorded: 2012
- William Barton (didgeridoo)
- Recorded: 2012
- William Barton (didgeridoo)
- Queensland Symphony Orchestra
- Michael Christie
- Recorded: 2004
- William Barton (didgeridoo), Delmae Barton (vocals)
- Recorded: 2012
- William Barton (didgeridoo), Margaret Schindler (soprano), Kevin Power (piano), Tania Frazer (oboe), Leesa Dean (bassoon), Paul Dean (clarinet), Peter Luff (horn)
- Recorded: 2012
- William Barton (didgeridoo)
- Recorded: 2012
- William Barton (didgeridoo)
- Adelaide Chamber Singers, Adelaide Symphony Orchestra
- Arvo Volmer
- Recorded: 2006
- William Barton (didgeridoo), Delmae Barton (vocals)
- Recorded: 2012
- William Barton (didgeridoo)
- Recorded: 2012
Awards and reviews
22nd September 2012
Mere words can’t begin to describe the noise made by William Barton in full flow. It’s a sonorous, low roar that sets your stomach wobbling, made more startling by the array of harmonics and overtones which buzz around over the top. There’s also Barton’s sheer technique, circular breathing allowing him to sustain notes for improbable lengths...A potential disc of the year.