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Vivaldi: New Discoveries II

Ann Hallenberg (mezzo-soprano), Anton Steck (violin) & Alexis Kossenko (flute)

Modo Antiquo, Federico Maria Sardelli

Vivaldi: New Discoveries II
a stunning performance by Alexis Kossenko...[Hallenberg] expertly captures their individual distinctive moods with fair and sensitive musical imagination. Sheer delight from beginning to end

Vivaldi: New Discoveries II

Ann Hallenberg (mezzo-soprano), Anton Steck (violin) & Alexis Kossenko (flute)

Modo Antiquo, Federico Maria Sardelli

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
a stunning performance by Alexis Kossenko...[Hallenberg] expertly captures their individual distinctive moods with fair and sensitive musical imagination. Sheer delight from beginning to end

About

World premiere recordings of Vivaldi scores recently discovered in Europe.

This is the 45th title in the Vivaldi Edition, 3 years after the first recording dedicated to Vivaldi scores discovered in Europe between 2000 and 2007, now in its 12th year. This second volume features the most recent discoveries in world premiere recordings and will further contribute to complete one of the most fascinating jigsaw puzzles in musical history Federico Maria Sardelli is a member of the musicological committee of the Istituto Italiano Antonio Vivaldi at the Fondazione Cini in Venice, for which he has published numerous scholarly essays. In July 2007 Peter Ryom chose him to continue his monumental work of cataloguing the music of Antonio Vivaldi; since then, Sardelli has been the editor of the Vivaldi Werkverzeichnis (RV).

Since 2008 the harvest has been abundant enough to nourish this second volume of Vivaldian revelations, including a violin concerto, a flute concerto and 4 opera arias from 'L'inganno trionfante in amore', one of the most important lost opera scores of Vivaldi.

Alongside Sardelli and his orchestra Modo Antiquo, the recording features such illustrious names as mezzo-soprano Ann Hallenberg, violinist Anton Steck and flautist Alexis Kossenko.

Contents and tracklist

I. Allegro non molto
Track length3:21
II. Larghetto
Track length1:54
III. Allegro
Track length2:06
Act II: Aria: Son nel mar d'aspri tormenti
Track length3:32
Act II: S'odo quel rio che mormora
Track length5:00
I. Allegro
Track length3:50
II. Largo
Track length2:31
III. Allegro
Track length3:56
Act I: Aria: Palpita il core, e freme
Track length4:15
Act II: Aria: Langue ul fio su l'arsa sponda
Track length6:09
I. Allegro
Track length0:30
II. Allegro
Track length1:36
III. Largo
Track length3:09
IV. Allegro
Track length2:01
Ipermestra, RV 722, Act I: Vaghe luci, luci belle
Track length3:06
I. Allegro
Track length3:16
II. Largo
Track length4:47
III. Allegro
Track length3:12

Awards and reviews

November 2012

a stunning performance by Alexis Kossenko...[Hallenberg] expertly captures their individual distinctive moods with fair and sensitive musical imagination. Sheer delight from beginning to end

December 2012

an essential purchase for Vivaldians

Early Music Today

Modo Antiquo play with commendable verve; violinist Anton Steck is a mercurial soloist.

27th July 2012

The operatic discoveries on this new CD are two arias which turned up in Belgium from L’inganno trionfante in amore, and a reconstruction of another two, found in reductions in Berlin, all characterfully sung by soprano Ann Hallenberg. There is also an energetically bristling, newly authenticated Violin Concerto in A minor
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