Essential Gilbert & Sullivan
Artists include George Baker, Owen Brannigan, John Cameron, Richard Lewis, Monica Sinclair, Marjorie Thomas, Elsie Morison, Heather Harper, April Cantelo, Pamela Bowden, Sir Geraint Evans, Jeanette Sinclair, Alexander Young, Edna Graham, John Shaw, Joseph Roleau
Essential Gilbert & Sullivan
Artists include George Baker, Owen Brannigan, John Cameron, Richard Lewis, Monica Sinclair, Marjorie Thomas, Elsie Morison, Heather Harper, April Cantelo, Pamela Bowden, Sir Geraint Evans, Jeanette Sinclair, Alexander Young, Edna Graham, John Shaw, Joseph Roleau
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Contents and tracklist
- Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Peter Gellhorn (director), Richard Lewis (tenor), Sir Geraint Evans/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Geraint Evans (baritone), Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Jeannette Sinclair (soprano), Marjorie Thomas (contralto)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), Geraint Evans (baritone), Richard Lewis (tenor), Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Owen Brannigan (bass), Peter Gellhorn (director), Sir Geraint Evans/Marjorie Thomas/Ian Wallace/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Ian Wallace (baritone), Marjorie Thomas (contralto), Monica Sinclair (contralto)
- Pro Arte Orchestra, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Track length1:50
Sullivan, A:
The Mikado, Act 2: Finale. "For He's Gone and Married Yum-Yum" - "The Threatened Cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Pish-Tush, Poo-Bah, The Mikado, Katisha, Peep-Boo, Chorus)
Work length2:04
- Elsie Morison (soprano), Geraint Evans (baritone), Ian Wallace (baritone), Jeannette Sinclair (soprano), John Cameron (baritone), Marjorie Thomas (contralto), Monica Sinclair (contralto), Owen Brannigan (bass), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1958-10-24
- Recording Venue: 18 April (Overture) and 21-24 Oct 1958, No. 1 Studio, Abbey Road, London
Sullivan, A:
Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)
Work length3:24
- Bernard Turgeon (baritone), Elsie Morison (soprano), George Baker (bass-baritone), John Cameron (baritone), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1962-12-14
- Recording Venue: 3 November 1960 (Overture) and 11-14 December 1962, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), James Milligan (Bass-Bariton) (bass), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), John Cameron (bass-baritone), George Baker (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1962-12-14
- Recording Venue: 3 November 1960 (Overture) and 11-14 December 1962, No. 1 Studio, Abbey Road, London
Sullivan, A:
HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)
Work length2:51
- Elsie Morison (soprano), George Baker (bass-baritone), James Milligan (Bass-Bariton) (bass), John Cameron (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-12-14
- Recording Venue: 10-14 December 1957, No. 1 Studio, Abbey Road, London
- James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan (baritone), Peter Gellhorn (director), Richard Lewis/Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Richard Lewis (tenor), Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-12-14
- Recording Venue: 10-14 December 1957, No. 1 Studio, Abbey Road, London
No. 7, Air and Chorus, "Oh, is there not one maiden breast?" (Frederic, Mabel, Girls)
Track length4:03
- Elsie Morison (soprano), Heather Harper (soprano), Owen Brannigan (bass), Peter Gellhorn (director), Richard Lewis (tenor), Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
No. 17, Chorus with Soli, "When the foeman bears his steel" (Sergeant of Police, Mabel, Edith, Policemen, Girls)
Track length4:51
Sullivan, A:
The Pirates of Penzance, Act 2: Chorus. "With Cat-like Tread" (Chorus, Samuel)
Work length2:40
- John Cameron (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), Heather Harper (soprano), John Cameron (baritone), John Shaw (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass), George Baker (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), Heather Harper (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass), John Cameron (bass-baritone), George Baker (bass-baritone), John Shaw (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
Sullivan, A:
Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: When I went to the Bar as a very young man (Lord Chancellor)
Work length2:01
- Alexander Young (tenor), April Cantelo (soprano), Elsie Morison (soprano), George Baker (bass-baritone), Heather Harper (soprano), Ian Wallace (bass), John Cameron (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
Sullivan, A:
Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....) (1987 Remastered Version)
Work length10:26
This work is only available as an album download.
- Sir Malcolm Sargent (lead vocals)
- Pro Arte Orchestra
Sullivan, A:
Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II
Work length12:53
- Alexander Young (tenor), April Cantelo (soprano), Elsie Morison (soprano), Heather Harper (soprano), John Cameron (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Ian Wallace (bass-baritone), George Baker (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
Sullivan, A:
Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)
Work length1:50
- Elizabeth Harwood (soprano), Elsie Morison (soprano), George Baker (bass-baritone), Harold Blackburn (bass), Joseph Rouleau (bass), Monica Sinclair (alto), Owen Brannigan (bass), Pamela Bowden (alto), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent