Gerard Schwarz conducts Honegger & Lazarof
Jeffrey Silberschlag (trumpet)
Seattle Symphony, Gerard Schwarz
The mournful tone of the introduction to the first movement is overwhelming in its description of the oppressiveness of the Occupation. This feeling continues in the Allegro proper and Schwarz...
Gerard Schwarz conducts Honegger & Lazarof
Jeffrey Silberschlag (trumpet)
Seattle Symphony, Gerard Schwarz
Purchase product
The mournful tone of the introduction to the first movement is overwhelming in its description of the oppressiveness of the Occupation. This feeling continues in the Allegro proper and Schwarz...
About
Completed during World War II, Honegger’s Symphony No. 2 gives voice to the composer’s horror of mankind’s barbarity and inhumanity perpetrated during the conflict. Its power derives from the seamlessness of its construction and the intensity of its expression. The work’s dark, brooding mood comes to a profoundly moving climax in the finale’s elegiac chorale tune, played on first violins accompanied by trumpet, thus ending the symphony on a more optimistic note than might be expected. Henri Lazarof’s Concerto for Orchestra No. 2, ‘Icarus’ is a volatile, richly coloured score, and Poema, composed as a wedding gift for Gerard Schwarz and his wife, is both romantic and brilliant.
Contents and tracklist
- Seattle Symphony Orchestra
- Gerard Schwarz
- Recorded: 17 April 1992, 8, 9 February 1993
- Recording Venue: Seattle Center Opera House, Seattle, Washington, USA
- Seattle Symphony Orchestra
- Gerard Schwarz
- Recorded: 28 May 1989
- Recording Venue: Seattle Center Opera House, Seattle, Washington, USA
- Seattle Symphony Orchestra
- Gerard Schwarz
- Recorded: 8 January 1990
- Recording Venue: Seattle Center Opera House, Seattle, Washington, USA
Awards and reviews
October 2012
The mournful tone of the introduction to the first movement is overwhelming in its description of the oppressiveness of the Occupation. This feeling continues in the Allegro proper and Schwarz and the Seattle strings forcefully convey the movement’s tone. The crucial inner voices are especially well-handled...Unfortunately, things break down in the famous Vivace as Schwarz and the players increasingly lose track of the thematic layers
