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Handel: Violin Sonatas

Riccardo Minasi (violin/director)

Musica Antiqua Roma

Handel: Violin Sonatas
The sumptuous underlay sometimes over-eggs the music, yet it's very much at one with Minasi's warmly lyrical yet purposeful approach...Idiosyncrasies aside, compelling stuff.

Handel: Violin Sonatas

Riccardo Minasi (violin/director)

Musica Antiqua Roma

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The sumptuous underlay sometimes over-eggs the music, yet it's very much at one with Minasi's warmly lyrical yet purposeful approach...Idiosyncrasies aside, compelling stuff.

About

Riccardo Minasi, born in Rome in 1978, has performed both as soloist as well as concert-master with many important orchestras. Riccardo Minasi is a conductor and a musicologist as well as a leading violinist in the early music field. His critical edition of Vincenzo Bellini’s opera “Norma” has been used for the recording of the work with Cecilia Bartoli and Giovanni Antonini.

Musica Antiqua Roma, founded in 2007 by violinist Riccardo Minasi, unites the solo, chamber music and orchestral experiences of some of the most active young musicians on the international scene today. Besides Riccardo Minasi the ensemble is formed by Marco Ceccato (cello), Giulia Nuti (harpsichord) and Luca Piancha (archlute).

This collection represents a selection of Handel's most popular violin sonatas. The eight sonatas recorded here span more than four decades and bear witness to Handel’s broad stylistic range. They all contain wonderful music and have been loved by players and listeners since they were written. Six are well known. Two are unfamiliar, and the second of these, in G major, is quite unlike all the others: two brilliant fast movements separated by a brief, highly dramatic slow recitative. The rest are cast in the customary four-movement form, but they still have extraordinary diversity; no two of them sound alike.

Since the musicians have a strong relation to Italy (“Musica Antiqua Roma”) and since Handel’s sonatas are very much influenced by Italien composers of the Baroque period, the artwork is based on works of the famous Italian photographer Mario Giacomelli.

The coupling of the sonatas on this recording is unique, and the 28-page booklet has elaborate liner notes in English, French, German and Italian.

As a bonus extra, the ‘hidden track’ “Credete al mio dolore” (from the opera “Alcina”, arranged for violin by Riccardo Minasi) has been included.

Contents and tracklist

I. Andante
Track length3:10
II. Allegro
Track length1:51
III. Adagio
Track length0:50
IV. Allegro
Track length2:38
I. Larghetto
Track length2:53
II. Allegro
Track length1:36
III. Adagio
Track length0:59
IV. Allegro
Track length1:30
I. Adagio
Track length4:35
II. Allegro
Track length3:43
III. Largo
Track length4:42
IV. Allegro
Track length3:05
I. Grave
Track length2:34
II. Allegro
Track length1:57
III. Adagio
Track length1:22
IV. Allegro
Track length2:32
I. Allegro
Track length1:35
II. Adagio
Track length0:53
III. Allegro
Track length2:33
I. Affettuoso
Track length3:51
II. Allegro
Track length2:39
III. Larghetto
Track length2:18
IV. Allegro
Track length3:13
I. Adagio
Track length1:29
II. Allegro
Track length2:38
III. Largo
Track length1:08
IV. Allegro
Track length2:27
I. Adagio
Track length2:33
II. Allegro
Track length2:19
III. Grave
Track length1:38
IV. Minuet
Track length2:21

Awards and reviews

October 2012

The sumptuous underlay sometimes over-eggs the music, yet it's very much at one with Minasi's warmly lyrical yet purposeful approach...Idiosyncrasies aside, compelling stuff.

September 2012

These performances are excellent for their lyrical sweetness, stylistic sensibilities, imaginative expressiveness and immaculate recorded sound (recorded in a quiet chapel in Siena). Riccardo Minasi's lively playing is never clumsy and seldom forced.

29th April 2012

Minasi takes the view that, whether the eight pieces here are by Handel or not, they are worth playing and hearing. His dazzlingly fresh interpretative ideas, employing techniques that owe as much to the great Romantic virtuosos as to baroque specialists, will raise purist Handelian hackles, but this is a revelatory disc.
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