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Prokofiev: Works for Piano

Abdel Rahman El Bacha (piano)

Prokofiev: Works for Piano
This rather stiff and deliberate playing works well for the clockwork grotesquery, but misses the joie de vivre and ferocity necessary to bring Prokofiev's music alive.

Prokofiev: Works for Piano

Abdel Rahman El Bacha (piano)

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This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit
This rather stiff and deliberate playing works well for the clockwork grotesquery, but misses the joie de vivre and ferocity necessary to bring Prokofiev's music alive.

About

An eminent Chopin specialist and also a feisty proponent of the Prokofiev concertos, Abdel Rahman El Bacha is the ideal interpreter for these piano works, which range from the futurist strains of the Toccata Op.11 (1912) to the 'fleeting visions' of Op.22 (1917), by way of the 'Gavotte' and 'Rigaudon' of the 'Ten Pieces' Op.12 and the 'Sarcasmes' Op.17. Amid this diversity, the Sonata No.2 Op.14 reverts to Classical models. Here on a single disc are all the solo piano works of the young Prokoviev's last years in Russia.

Contents and tracklist

Dix pièces pour piano opus 12: I. March
Track length1:35
Dix pièces pour piano opus 12: II. Gavotte
Track length2:23
Dix pièces pour piano opus 12: III. Rigaudon
Track length1:24
Dix pièces pour piano opus 12: IV. Mazurka
Track length1:39
Dix pièces pour piano opus 12: V. Capriccio
Track length3:36
Dix pièces pour piano opus 12: VI. Légende
Track length2:55
Dix pièces pour piano opus 12: VII. Prélude
Track length2:06
Dix pièces pour piano opus 12: VIII. Allemande
Track length2:56
Dix pièces pour piano opus 12: IX. Scherzo humoristique
Track length2:01
Dix pièces pour piano opus 12: X. Scherzo
Track length2:45
Sonate No. 2 en ré mineur opus 14: I. Allegro, ma non troppo
Track length6:01
Sonate No. 2 en ré mineur opus 14: II. Scherzo (Allegro marcato)
Track length2:07
Sonate No. 2 en ré mineur opus 14: III. Andante
Track length4:56
Sonate No. 2 en ré mineur opus 14: IV. Vivace
Track length5:06
Sarcasmes opus 17: I. Tempestoso
Track length2:00
Sarcasmes opus 17: II. Allegro rubato
Track length1:17
Sarcasmes opus 17: III. Allegro precipitato
Track length1:45
Sarcasmes opus 17: IV. Smanioso
Track length2:15
Sarcasmes opus 17: V. Precipitosissimo
Track length2:56
I. Introduction
Track length1:10
II. Pièce en forme D'arabesque
Track length1:13
III. Danse
Track length0:56
IV. Pièce pleine d'énergie acérée
Track length0:56
V. Molto giocoso
Track length0:20
VI. Con eleganza
Track length0:23
Visions fugitives opus 22: VII. Pittoresco. narratif
Track length1:32
Visions fugitives opus 22: VIII. Commodo. pièce alliant spiritualité et vivacité
Track length1:02
Visions fugitives opus 22: IX. Allegretto tranquillo
Track length1:07
Visions fugitives opus 22: X. Ridicolosamente
Track length0:51
Visions fugitives opus 22: XI. Con vivacità: pièce faite de légèreté et de tension
Track length0:57
XII. Assai moderato
Track length1:08
Visions fugitives opus 22: XIII. Allegretto: scherzo malicieux
Track length0:47
Visions fugitives opus 22: XIV. Feroce: pièce fougueuse et percutante
Track length0:58
Visions fugitives opus 22: XV. Inquieto: pièce tourmentée et angoissée
Track length0:56
Visions fugitives opus 22: XVI. Dolente: pièce lyrique
Track length2:00
Visions fugitives opus 22: XVII. Poetico: pièce lyrique
Track length0:57
Visions fugitives opus 22: XVIII. Con una dolce lentezza: pièce lyrique
Track length1:22
Visions fugitives opus 22: XIX. Presto agitatissimo e molto accentuato: épisode révolutionnaire
Track length0:40
Visions fugitives opus 22: XX. Lento irrealmente: conclusion sentimentale
Track length1:59

Awards and reviews

August 2012

This rather stiff and deliberate playing works well for the clockwork grotesquery, but misses the joie de vivre and ferocity necessary to bring Prokofiev's music alive.

July 2012

What's immediately striking is the sheer variety contained within these pieces...El Bacha imbues the Sarcasmes with sharply etched characterisations - though there is arguably more of an edge of danger in 'Smanioso' ('Raving').
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