Raphael Cendo: Furia

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Release Date: 26th Mar 2012
Catalogue No: AECD1224
Label: Aeon
Length: 65 minutes

Usually despatched in 3 - 4 working days

Cendo: Charge (2009), pour flûte, clarinette basse, cor, piano, percussions, violoncelle, contrebasse et électronique

Work length15:35

Album only

Ensemble Cairn, Guillaume Bourgogne

Cendo: Furia l (2009-2010), pour piano et violoncelle

Work length2:35

$1.00

$1.50

Ensemble Cairn, Guillaume Bourgogne

Cendo: Furia ll (2009-2010), pour piano et violoncelle

Work length8:44

$1.50

$2.30

Ensemble Cairn, Guillaume Bourgogne

Cendo: Décombres (2006), pour tubax et électronique

Work length9:58

$1.50

$2.30

Ensemble Cairn, Guillaume Bourgogne

Cendo: In Vivo l (2008-2010), pour quatuor à cordes

Work length7:28

$1.50

$2.30

Ensemble Cairn, Guillaume Bourgogne

Cendo: In Vivo ll (2008-2010), pour quatuor à cordes

Work length4:44

$1.00

$1.50

Ensemble Cairn, Guillaume Bourgogne

Cendo: In Vivo lll (2008-2010), pour quatuor à cordes

Work length5:34

$1.00

$1.50

Ensemble Cairn, Guillaume Bourgogne

Cendo: Tract (2007), pour flûte, clarinette basse, tubax, piano, harpe, violon, alto et violoncelle

Work length11:16

$2.05

$3.05

Ensemble Cairn, Guillaume Bourgogne

About
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About

Raphaël Cendo's music seizes us bodily or, more precisely, captures all our senses! His biography is a legend. Upon graduating from the Paris Conservatoire, the jury dared not grant him his full legitimacy. The institution bestowed only a second prix, but his music was already first. He had turned his back on his peers quite some time ago and chosen shortcuts at the risk of being misunderstood. The radical nature of his thinking asserted itself, and he invented the saturation.

The principle of this music is 'a thwarting of the limit, thanks to an excess of energy'. Releasing the instrumental energy, bringing the performer's body into the field of the composition, making the concert no longer a simple disaffected representation but a basic musical act, a sound ritual in which the performer is the officiant. This calls for mad virtuosity from the performers. The sound is metamorphosed. It is no longer a matter of planning but of losing oneself; it is no longer a matter of organising but of cutting a path in an unstable, wild and unknown world, for what is written as much as for he who plays it and he who receives it.

Raphael Cendo: Furia

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