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Nebra Blasco: Iphigenia en Tracia

Marta Almajano, María Espada, Raquel Andueza, Soledad Cardoso (sopranos), Marta Infante (mezzo) & Javier Méndez (tenor)

El Concierto Español, Emilio Moreno

The music is very agreeable, and Italianate in style: secco recitatives (with one accompanied recitative at the end) and da capo arias...There are no weak links among the all-female cast and...

Nebra Blasco: Iphigenia en Tracia

Marta Almajano, María Espada, Raquel Andueza, Soledad Cardoso (sopranos), Marta Infante (mezzo) & Javier Méndez (tenor)

El Concierto Español, Emilio Moreno

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The music is very agreeable, and Italianate in style: secco recitatives (with one accompanied recitative at the end) and da capo arias...There are no weak links among the all-female cast and...

About

Who better to further explore Spanish Baroque music than Emilio Moreno and El Concierto Español?

Their latest Glossa project tackles the dramatic work 'Iphigenia en Tracia' by one of the leading lights of the time, José de Nebra.

Having recently given us the popular musical comedy 'La Tirana contra Mambrú' and Antonio Caldara's royal wedding commemoration, 'Il più bel nome', Moreno now looks to de Nebra who chose one of Euripides’ Iphigenia stories for a mythological zarzuela.

The original score is held deep within the library of the imposing and omnipresent monastery in Glossa’s own home town of San Lorenzo de El Escorial, and what emerges is an elegantly-crafted reflection of the musical currents of the time. As in other countries across Europe, Spain was in thrall to the Italian style, Farinelli being a leading light in Madrid for over 20 years, but de Nebra injects a scheme of recitatives and arias of characteristic Iberian zest into the proceedings, notably with the witty castizo banter between two comic characters. Moreno and his highly-talented instrumental players are joined by engaging Spanish vocal stars including Marta Almajano, María Espada, Raquel Andueza and Marta Infante.

Contents and tracklist

Ouverture
Track length7:51
Bailete pastorela: Quartet: Pues es de esta selva
Track length1:29
Recitative: Este, riscos incultos (Dircea)
Track length0:49
Aria: Gozaba el pecho mio (Dircea)
Track length6:17
Recitative: Oh, cielos, yo perdi (Polidoro)
Track length0:44
Aria: Vacilante pensamiento (Polidoro)
Track length6:44
Quartet: Ay, joven infelice (Ifigenia, Orestes)
Track length3:21
Duet: Tu, tirana en un monte (Mochila, Cofieta)
Track length4:05
Recitative: Pero, dioses, que veo (Ifigenia, Orestes)
Track length2:08
Aria: La vida apetecida (Ifigenia)
Track length8:44
Seguidillas: Ya se fue, y de mirarla (Orestes, Dircea)
Track length1:56
Recitative: En fin, otra vez eres mi homicida? (Orestes, Ifigenia, Dircea, Polidoro)
Track length0:49
Aria: Quartet: Muera un afecto incierto (Polidoro, Dircea, Orestes, Ifigenia)
Track length8:45
Quartet: Ya que en honor del numen
Track length1:46
Seguidilla: Que han de ser los maridos? (Cofieta, Mochila)
Track length2:46
Recitative: Yo soy, tirana (Ifigenia, Orestes)
Track length1:50
Aria: Duet: Ah, ingrato (Ifigenia, Orestes)
Track length7:35
Recitative: Hay ciertas doncellitas (Orestes)
Track length1:39
Aria: Descolorida, desmadejada (Cofieta)
Track length10:01
Recitative: Detente, inutilmente (Orestes)
Track length0:42
Aria: Llegar ninguno intente (Orestes)
Track length7:09
Recitative: Suspendete, tirano (Ifigenia)
Track length1:22
Aria: Piedad, senor, piedad (Ifigenia)
Track length6:57
Quartet: Finale: La tirana ley severa
Track length1:12

Awards and reviews

May 2012

The music is very agreeable, and Italianate in style: secco recitatives (with one accompanied recitative at the end) and da capo arias...There are no weak links among the all-female cast and the orchestra is excellent. A byway rather than a highway, enjoyable and interesting but not, perhaps, essential.
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