The freshness and precision of Weir's writing is perfectly matched by the well tuned, clearly articulated singing of Geoffrey Webber's Gonville & Caius Choir...Nearby Jesus College Chapel provides an ideal acoustic for the beautifully judged recording, and its Kuhn organ offers Matthew Fletcher some pellucid colours for two modest, effective solo organ pieces inspired by Weir's native Scotland. Highly recommended.

As several of the items on this disc illustrate, Judith Weir has always been well able to conform to the conventions of, say, the King's College Festival of Nine Lessons and Carols without losing all sense of identity and purpose in the process...The undeniable advantage is provided by the new (2007) Jesus College organ, whose rumbling basses and raw, reedy tone colours are ideal for Wild Mossy Mountains and Ettrick Banks.

This selection of Weir’s choral music — a genre she has rather made her own — includes some lovely and literary inspirations.

The Choir of Gonville and Caius College is particularly good, and this recital, containing Weir’s entire corpus for unaccompanied choir or for choir accompanied by single instrument, only enhances its reputation. Weir embeds herself deeply within every text she sets, and she chooses carefully

Every syllable of the text is distinct in these performances, and the textures never waste a note. It's a beautifully crafted body of work, a model of choral understatement that other contemporary British choral composers could well learn from.

This impeccably performed disc by the Choir of Gonville & Caius College, Cambridge conducted by Geoffrey Webber displays [Weir's] gifts to best advantage...From the dense chords of "Prayer" to the elliptical effects of "Ascending into Heaven" and the folk colours of "Madrigal", composer and choir alike excel.