Tom Winpenny opens an illuminating window on Bingham's richly-coloured, programmatically-driven engagement with the 'king of instruments'...Winpenny knows the St Albans instrument like the back of his hand, coaxing an array of voluptuous and apposite sounds. But he's also alert to the fluidity of her narratives, and, when called upon to do so, serves up virtuoso flair with incorrigible panache.

The organ-writing may not be entirely idiomatic but the string scoring is highly accomplished, and there is a real sense of commitment behind Graham Ross's sharply focused direction...Tom Winpenny brings assurance with some adept handling of Bingham's complex organ-writing...his advocacy of this music will do much to consolidate Bingham's reputation as a distinctive and assured writer for the instrument.

Bingham has injected new life into the repertory of an instrument that has been perhaps unjustly neglected by contemporary composers...The organ of St Albans Cathedral, newly restored, sounds splendid, and it has been realistically captured by Naxos.