Suspended Preludes

Chamber Music of Andrew Schultz, Vol. 2

Timothy Munro (flute), Bernard Lanskey (piano), Stephen Emmerson (piano), Floyd Williams (bass clarinet), Dima Tkachenko (violin), Michele Walsh (violin), Paul Dean (clarinet), Steve Reeves (double bass), Griffith Trio

He has an appealing style which, although seemingly difficult at times, can easily be understood in writing which is idiomatic for the instruments he uses and is always colourful and interesting. — MusicWeb International More…

Catalogue No: TP171
Label: Tall Poppies

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Schultz, A: Respiro / Simple Ground

Timothy Munro (flute), Bernard Lanskey (piano)

Schultz, A: Barcarole

Stephen Emmerson (piano)

Schultz, A: From Fire Country

Floyd Williams (bass clarinet)

Schultz, A: Night Flight

Dima Tkachenko (violin), Bernard Lanskey (piano)

Schultz, A: Variations (12)

Bernard Lanskey, Stephen Emmerson (piano)

Schultz, A: Sleepers Wake - Karalananga

Bernard Lanskey (piano)

Schultz, A: Stick Dance III

Michele Walsh (violin), Paul Dean (clarinet), Stephen Emmerson (piano)

Schultz, A: Suspended Preludes

Steve Reeves (double bass), Stephen Emmerson (piano)

Schultz, A: Tonic Continent

Griffith Trio

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About

Andrew Schultz, currently Professor of Composition at Wollongong University, is a prolific composer, and has written a large body of chamber music. This CD is the second colume of chamber music by Schultz released by Tall Poppies. It contains nine works, performed by a selection of wonderful Australian musicians.

Andrew Schultz is possibly best-known for his longer works for orchestra, but in his chamber music he expresses the more personal feelings one would expect from smaller more intimate works.

The music is full of variety, ranging from the excitement of Stick Dance III, to the intricacies of the 12 Variations for Piano duo, to the drama of the Suspended Preludes for bass and piano (commissioned by Tall Poppies with funding assistance from the Australia Council).

This CD has been produced with assistance from the University of Wollongong.

Reviews

He has an appealing style which, although seemingly difficult at times, can easily be understood in writing which is idiomatic for the instruments he uses and is always colourful and interesting.

Suspended Preludes

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