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Korngold: String Quartets Nos 1, 2 & 3
Doric String Quartet
the Doric Quartet approaches the music with tremendous commitment and excellent ensemble...there's some beautiful portamento, especially from leader Alex Redington
Korngold: String Quartets Nos 1, 2 & 3
Doric String Quartet
Purchase product
the Doric Quartet approaches the music with tremendous commitment and excellent ensemble...there's some beautiful portamento, especially from leader Alex Redington
About
The Doric String Quartet is now firmly established as one of the outstanding quartets of its generation. Now in its eleventh season, it regularly performs at major festivals and venues throughout the UK as well as abroad in continental Europe and Asia. This is the Quartet’s debut CD on Chandos as exclusive artists.
Most famous for his lushly romantic film scores, Erich Wolfgang Korngold wrote a quantity of music for the concert hall, the stage, as well as three highly individual string quartets between the years 1920 and 1945. Korngold was one of the great prodigies in the history of classical music, and by the time he started work on his First String Quartet (completed 1923), he had already written what many consider to be his magnum opus, the opera Die tote Stadt.
The three quartets range widely in style and are all very appealing. The First is notable for its strikingly adventurous harmony, the Second (1933) for its sheer wealth of melodic appeal, whilst the Third (1945) uses material from his film scores, and is as varied and dramatic as many of the films which he scored.
‘This is an ensemble, young but mature of insight, that plays Haydn’s music with spirit, illuminating its blend of wit and sophistication, grace and vivacity, cunning and seemingly effortless spontaneity… The Doric’s performances, without exaggeration but with just the right degree of elucidation, revealed the music’s extraordinary originality and the way that Haydn can explore the potential of his thematic material so thoroughly yet so artlessly… Unequivocally, these were performances of terrific panache and perception, seeming to get right under the skin of Haydn’s creative genius.’ The Sunday Telegraph, 18 January 2009
‘Great wisdom and no self-indulgence’ The Strad, 2008
Contents and tracklist
Spotlight on this release
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Erich Wolfgang Korngold
James chooses his favourite recordings of the music of Korngold, best known for his Violin Concerto as well as numerous operas and film scores.
Awards and reviews
November 2010
the Doric Quartet approaches the music with tremendous commitment and excellent ensemble...there's some beautiful portamento, especially from leader Alex Redington
30th September 2010
From the off, the Dorics stamp their own emphatic claim to ownership with a bold incisive feel for the swirling stylistic and emotional undercurrents in Korngold’s characteristically rhythmically alert, sumptuously lyrical and exquisitely crafted music.
December 2010
The Doric Quartet manages to combine the necessary linear and rhythmic precision needed to do full justice to Korngold's sophisticated scoring with a warmth of tone and intensity of expression that makes the players highly persuasive advocates.
November 2010
Their playing is alive to every nuance and turn of phrase in these absorbing and endearing valentines to the city of the composer's birth...This is a most desirable issue of music with which the Doric foursome are totally at ease.
2011 edition
These quartets, spontaneously structured, show Korngold at his most melodically memorable and rewarding. They are played most sympathetically here, and are given top-quality Chandos recording.
1st December 2014
Superb performances of Korngold's three String Quartets from the Doric String Quartet, with gutsy, committed playing and impassioned performances of Korngold's captivating slow movements.
3rd October 2010
The Doric Quartet, in these superb performances (enhanced by the rich, crystal-clear recording), play them as if they were established repertoire works, which they deserve to be.
2nd September 2010
All three [quartets] enshrine sinewy ideas and piquant harmony combined at times with a Viennese seductiveness, and the Third by no means sells out to easy tune-smithing.
4th September 2010
Each quartet, from different decades, twists the kaleidoscope a different way. No 1 is knottily chromatic; the second salutes old Vienna; while the third and best looks back on life with melancholy, regret and laughter.
