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Couperin: Portrait d'Iris

Suites pour viole de gambe et pièces de clavecin

Emmanuelle Guigues (viol) & Bruno Procopio (harpsichord)

Couperin: Portrait d'Iris
Emmanuelle Guigues virtuoso technique enables her to give us both his [Couperin] nobility and his playfulness … Bruno Procopio strikes a judicious balance between the ‘pops’ and the equally-good-but-less-well-known...

Couperin: Portrait d'Iris

Suites pour viole de gambe et pièces de clavecin

Emmanuelle Guigues (viol) & Bruno Procopio (harpsichord)

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Emmanuelle Guigues virtuoso technique enables her to give us both his [Couperin] nobility and his playfulness … Bruno Procopio strikes a judicious balance between the ‘pops’ and the equally-good-but-less-well-known...

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Contents and tracklist

I. Prélude (Gravement)
Track length2:34
II. Fuguette
Track length2:00
III. Pompe funèbre (Tres gravement)
Track length5:24
IV. La Chemise blanche (Tres vite)
Track length4:09
La Manon. Vivement
Track length1:02
La Garnier. Modérément
Track length4:05
Les ondes. Rondeau
Track length2:31
Les baricades mystérieuses. Rondeau
Track length2:10
I. Prélude: Gravement
Track length3:45
II. Allemande légere
Track length2:11
III. Courante
Track length1:36
IV. Sarabande (Grave)
Track length3:59
V. Gavotte (Gracieusement sans lenteur)
Track length1:46
VI. Guigue: Gayment
Track length1:58
VII. Passacaille ou Chaconne
Track length5:01
Les Graces incomparables ou La Conti. Majestueusement
Track length3:00
I. première partie
Track length2:42
II. Seconde partie, Galamment
Track length1:59
L'Amazône. Vivement, et fièrement
Track length1:24
Les Bagatélles. Rondeau
Track length1:55
Le Tic-Toc Choc ou les Maillotins. Légèrement, et marqué Rondeau
Track length2:39
I. Gravement
Track length1:41
II. Allemande: Vivement
Track length2:29
III. Sarabande: Grave
Track length3:20
IV. Fuguète
Track length2:01

Awards and reviews

Early Music Review April 2014

Emmanuelle Guigues virtuoso technique enables her to give us both his [Couperin] nobility and his playfulness … Bruno Procopio strikes a judicious balance between the ‘pops’ and the equally-good-but-less-well-known and plays his “restored from a ruin” instrument in a way that savours and displays its strengths, especially the sonorous bass register.

2nd July 2010

...the 2nd Suite de Viole...has a stately solemnity until the final movement "La Chemise Blanche" profits from the sprightly harpsichord. The solo harpsichord Pièces de Clavecin likewise proceeds in orderly fashion through movements of 1st, 2nd and 5th order, culminating in the satisfying 6th order rondo "Les Baricades Mysterieuses".
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