Handel: Alexander’s Feast & Ode for St Cecilia's Day
Gerlinde Sämann (soprano), Knut Schoch (tenor) & Klaus Mertens (bass)
Junge Kantorei & Frankfurt Baroque Orchestra, Joachim Carlos Martini
The performance is characterised by an austerity of tone that speaks volumes in the closing sections, when worldliness gives way to spirituality...The playing is spare, stylish and beautiful....
Handel: Alexander’s Feast & Ode for St Cecilia's Day
Gerlinde Sämann (soprano), Knut Schoch (tenor) & Klaus Mertens (bass)
Junge Kantorei & Frankfurt Baroque Orchestra, Joachim Carlos Martini
Purchase product
The performance is characterised by an austerity of tone that speaks volumes in the closing sections, when worldliness gives way to spirituality...The playing is spare, stylish and beautiful....
About
First performed in London in 1736 to an admiring audience of 1,300 people, and enjoying considerable success thereafter, Handel’s setting of John Dryden’s 1697 poem Alexander’s Feast evokes the power of music to stir the soul to acts of love and war, revenge and revels.
This splendid oratorio, set at Alexander the Great’s victory celebrations for his conquest of Persia, culminates in an apotheosis to ‘divine Cecilia’, the patron saint of music whom Handel also praises in his Ode for St Cecilia’s Day of 1739 (Naxos 8554752).
Contents and tracklist
- Knut Schoch (tenor), Klaus Mertens (bass), Gerlinde Sämann (soprano)
- Junge Kantorei, Frankfurt Baroque Orchestra
- Joachim Carlos Martini
- Recorded: 11 May 2008
- Recording Venue: Basilika Kloster Eberbach, Rheingau, Germany
Awards and reviews
11th March 2010
The performance is characterised by an austerity of tone that speaks volumes in the closing sections, when worldliness gives way to spirituality...The playing is spare, stylish and beautiful. Listen out, meanwhile, for silver-toned soprano Gerlinde Sämann, new to me, but a real find on this showing.
