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Schubert - Arpeggione Sonata & Lieder transcriptions

Antoine Tamestit (viola), Sandrine Piau (soprano) & Markus Hadulla (piano)

Schubert - Arpeggione Sonata & Lieder transcriptions
This little 58-minute Schubertiad a la francaise makes a very good case for the viola as a Schubertian soulmate par excellence...Piau's irresistably radiant soprano, together with the viola...transforms...

Schubert - Arpeggione Sonata & Lieder transcriptions

Antoine Tamestit (viola), Sandrine Piau (soprano) & Markus Hadulla (piano)

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This little 58-minute Schubertiad a la francaise makes a very good case for the viola as a Schubertian soulmate par excellence...Piau's irresistably radiant soprano, together with the viola...transforms...

About

The highly acclaimed violist Antoine Tamestit releases his third album on Naïve. Dedicated to the music of Franz Schubert, in particular the Arpeggione Sonata, it also features the celebrated French soprano, Sandrine Piau in The Shepherd on the Rock.

Antoine Tamestit has transcribed Schubert’s music for the viola, featuring the multi-award winning Sandrine Piau - recently voted the Singer of the Year at the Victoires de la Musique Classique in 2009. She performs two Schubert lieder: ‘Ich schleiche bang und still herum’ and ‘Der hirt auf dem felsen’. The recording features the Arpeggione Sonata – the only substantial work in existence written for the now extinct string instrument, the arpeggione. After his success in international competitions in Paris, New York, and Munich, Antoine Tamestit won the Credit Suisse Young Artist Award in January 2008, which gave him the opportunity to play with the Vienna Philharmonic and Riccardo Muti at the Lucerne Festival. He has subsequently recorded two albums for Ambroisie/Naïve ‘Bach: Ligeti’ and ‘Shostakovich / Schnittke’.

Contents and tracklist

I. Allegro moderato
Track length11:46
II. Adagio
Track length4:14
III. Allegretto
Track length8:42

Awards and reviews

September 2010

This little 58-minute Schubertiad a la francaise makes a very good case for the viola as a Schubertian soulmate par excellence...Piau's irresistably radiant soprano, together with the viola...transforms the music's pastoral into a haunting evocation of the poignant exhilaration of mortality.
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