Handel - Alexander’s Feast & Ode for St. Cecilia’s Day
Simone Kermes, Virgil Hartinger & Konstantin Wolff
Cologne Chamber Choir & Collegium Cartusianum, Peter Neumann
Neumann's forces respond magnificently. Solo voices have a rare, natural ease. In Alexander's Feast, Simone Kermes's accompanied recitative… is breathtaking; Konstantin Wolff is thrilling...
Handel - Alexander’s Feast & Ode for St. Cecilia’s Day
Simone Kermes, Virgil Hartinger & Konstantin Wolff
Cologne Chamber Choir & Collegium Cartusianum, Peter Neumann
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Neumann's forces respond magnificently. Solo voices have a rare, natural ease. In Alexander's Feast, Simone Kermes's accompanied recitative… is breathtaking; Konstantin Wolff is thrilling...
About
Contents and tracklist
- Virgil Hartinger (tenor), Simone Kermes (soprano), Konstantin Wolff (bass (vocal))
- Collegium Cartusianum, Kölner Kammerchor
- Peter Neumann
- Recorded: 2009-04-01
- Virgil Hartinger (tenor), Konstantin Wolff (bass (vocal)), Simone Kermes (soprano)
- Collegium Cartusianum, Kölner Kammerchor
- Peter Neumann
- Recorded: 2009-04-01
21. "Now strike the golden lyre again" - 22. "Break his bond" - 23. "Hark, hark! The horrid sound"
Track length2:49
- Virgil Hartinger (tenor), Simone Kermes (soprano)
- Collegium Cartusianum, Kölner Kammerchor
- Peter Neumann
- Recorded: 2009-04-01
Awards and reviews
September 2009
Neumann's forces respond magnificently. Solo voices have a rare, natural ease. In Alexander's Feast, Simone Kermes's accompanied recitative… is breathtaking; Konstantin Wolff is thrilling in 'Revenge Timotheus cries' and terrifyingly evocative as bassoons conjure up 'a ghastly band [of ghosts]'... The clarity...27 voices, while the orchestra, similarly proportioned, is splendidly taut. In short, this recording is an outstanding contribution to the Handel anniversary celebrations.
Awards Issue 2009
Collegium Cartusianum play with suppleness, unforced strength in extrovert numbers and sensitivity in quieter and more lyrical moments… Simone Kermes's melancholic delivery of the pitiful "He chose a mournful muse" is breathtaking… The Cologne Chamber Choir is excellent: the voices in the opening phrase of "The list'ning crowd" seem to float effortlessly... "Break his bands of sleep asunder" is sensational and the falling cadences evoking "heav'nly harmony" are beautifully balanced during the first chorus of the shorter ode.
