Feldman - Patterns in a Chromatic Field - Aeon: AECD0977 - download

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There are plenty of local agitations and even climaxes. These committed performers add four of his other works to their sequence. Coming straight after Patterns, Projection I (1950), for solo... — Sunday Times More…

Release Date: 30th Mar 2009
Catalogue No: AECD0977
Label: Aeon
Length: 1 hour 45 minutes

Feldman, M: Patterns in a Chromatic Field

Work length1:28:38

Album only

Arne Deforce, Yutaka Oya

Page 1, Stave 1, Mesure 1

Track length13:11

$2.05

$3.05

Page 10, Stave 2, Mesure 1

Track length15:53

Album only

Page 19, Stave 1, Mesure 1

Track length14:56

$2.05

$3.05

Page 26, Stave 1, Mesure 1

Track length6:19

$1.00

$1.50

Page 30, Stave 2, Mesure 1 (Transition)

Track length0:49

$1.00

$1.50

Page 30, Stave 2, Mesure 1

Track length6:28

$1.00

$1.50

Page 32, Stave 3, Mesure 3

Track length10:19

$1.50

$2.30

Page 39, Stave 1, Mesure 7

Track length8:58

$1.50

$2.30

Page 42, Stave 3, Mesure 7

Track length11:45

$2.05

$3.05

Feldman, M: Projection l

Work length3:00

$1.00

$1.50

Arne Deforce

Feldman, M: Composition - 8 Little Pieces

Work length4:26

$1.00

$1.50

Arne Deforce, Yutaka Oya

Feldman, M: Intersection lV

Work length3:15

$1.00

$1.50

Arne Deforce

Feldman, M: Duration ll

Work length6:03

$1.00

$1.50

Arne Deforce, Yutaka Oya

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Patterns in a Chromatic Field, dedicated to the cello works of Morton Feldman, allows us to discover one of the most original and enigmatic musics of the repertoire. Composed the same year as the well-known Triadic Memories (1981) and 10 years after the famous Rothko Chapel (1971), Patterns in a chromatic field is one of the masterpieces of the cello and piano repertoire from the second half of the 20th century. The Flemish violoncellist Arne Deforce is known for the interiority and the exceptional emotional quality of his interpretations. Since studying at the Conservatorium of Ghent and Brussels, Arne Deforce has specialised in the historic avant-garde of the 20th century, making a name for himself as active ambassador of contemporary repertoire for cello.

Reviews

There are plenty of local agitations and even climaxes. These committed performers add four of his other works to their sequence. Coming straight after Patterns, Projection I (1950), for solo cello, is a scintillation lasting just under three minutes.

17th May 2012

the surface of Patterns in a Chromatic Field is much less smoothly contoured than usual for late Feldman, the gestures more irregular, the dissonances more astringent...The performance of Patterns by Deidre Cooper and Tilbury is wonderfully dedicated, while Piano, Violin, Viola, Cello seems just as compelling on disc as it was live in Huddersfield.

Feldman - Patterns in a Chromatic Field

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