Help
Skip to main content

Pure Mendelssohn

Sebastian Knauer (piano)

Awards:

One of the main reasons for the success of this disc is that instead of doggedly ploughing his way through a chronologically ordered selection of Songs Without Words, Sebastian Knauer has chosen...

Pure Mendelssohn

Sebastian Knauer (piano)

Purchase product

CD

$22.50

3 available: usually despatched in 3 - 4 working days

Download

From$6.50

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$8.75

320 kbps, MP3

$6.50

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

One of the main reasons for the success of this disc is that instead of doggedly ploughing his way through a chronologically ordered selection of Songs Without Words, Sebastian Knauer has chosen...

About

Contents and tracklist

Awards and reviews

  • Gramophone Magazine
    March 2009
    Editor's Choice

2010

One of the main reasons for the success of this disc is that instead of doggedly ploughing his way through a chronologically ordered selection of Songs Without Words, Sebastian Knauer has chosen only those which appeal to him and about which he has something individual to say.
At least, that is the impression one gets from his playing.
For Mendelssohn specialists there are the added bonuses of four world premiere recordings: the Songs in F sharp minor and F major (sans opus numbers) are heard here in the first edition of the 2001 Viennese Urtext; the Song in E flat is a completion by Mendelssohn's biographer Larry Todd (who also contributes the booklet here); Op 102 No 2 in D major is a 'recording of the dedicated original score' (no further information is given).
Realistically captured, with strong, sweeping accounts of the Variations sérieuses as the programme's centrepiece and the Andante andRondo capriccioso with which Knauer rounds off proceedings, this is a distinguished contribution to the 200th anniversary celebrations.

March 2009

Realistically captured, with strong, sweeping accounts of the Variations sérieuses as the programme's centrepiece and the Andante and Rondo capriccioso with which Knauer rounds off proceedings, this is a distinguished contribution to the 200th anniversary celebrations.
View download progress