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Villa-Lobos - Piano Music Volume 7

Sonia Rubinsky (piano)

There are four world premiere recordings on this disc, some of them still in manuscript. Naxos's sound is exemplary, James Melo's notes more than informative and, most of all, Sonia Rubinsky's...

Villa-Lobos - Piano Music Volume 7

Sonia Rubinsky (piano)

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There are four world premiere recordings on this disc, some of them still in manuscript. Naxos's sound is exemplary, James Melo's notes more than informative and, most of all, Sonia Rubinsky's...

About

Villa-Lobos was one of the most prolific of all 20th-century composers. The works on this seventh volume of the complete piano works show the multilayered nature of Villa-Lobos’s idiom, which is as exuberant as the Brazilian landscape that inspired him so often.

Amazonas, subtitled ‘Brazilian Indian ballet’, is based on indigenous themes that were embedded in the texture, and innovatively varied and transformed through sophisticated harmonic and rhythmic experiments. Even today Amazonas remains startling for its adventurous musical language.

Several of the shorter pieces on this disc exist only in manuscript, and receive here their world première recording.

Contents and tracklist

Prelude No. 1 in E Minor (Arr. J.V. Brandao)
Track length5:28
Prelude No. 2 in E Major (Arr. J.V. Brandao)
Track length3:39
Prelude No. 3 in A Minor (Arr. J.V. Brandao)
Track length3:13
Prelude No. 4 in E Minor (Arr. J.V. Brandao)
Track length3:35
Prelude No. 5 in D Major (Arr. J.V. Brandao)
Track length6:07
III. Dansa, "Lembrancas do Sertao" (Arr. For piano)
Track length5:18
I. No Palacio Encantando
Track length1:34
II. A Cortesia do Principezinho
Track length1:40
III. E o Pastorzinho Cantava
Track length1:48
IV. E a Princesazinha Dancava
Track length1:19
I. Feliz Aniversario
Track length0:37
II. Boas-Festas
Track length0:40
III. Feliz Natal
Track length0:30
IV. Feliz Ano Novo
Track length0:37
V. Boas-Vindas
Track length0:48

Awards and reviews

February 2009

There are four world premiere recordings on this disc, some of them still in manuscript. Naxos's sound is exemplary, James Melo's notes more than informative and, most of all, Sonia Rubinsky's playing is a marvel of power, grace and fluency.
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