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Special offer. Brahms - Clarinet Sonatas

Jon Nakamatsu (piano) & Jon Manasse (clarinet)

Brahms - Clarinet Sonatas
Impressive instrumental mastery and good rapport. But both performances are dogged by a recorded balance which places Nakamatsu's forceful piano playing in the foreground, at the expense of...

Special offer. Brahms - Clarinet Sonatas

Jon Nakamatsu (piano) & Jon Manasse (clarinet)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.25) Reduced price $8.50

320 kbps, MP3

Original price ($10.25) Reduced price $7.25

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
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Impressive instrumental mastery and good rapport. But both performances are dogged by a recorded balance which places Nakamatsu's forceful piano playing in the foreground, at the expense of...

About

Contents and tracklist

I. Allegro amabile
Track length8:38
II. Appassionato, ma non troppo allegro
Track length5:05
III. Andante con moto - Allegro - Più tranquillo
Track length7:34
I. Allegro appassionato
Track length8:02
II. Andante, un poco Adagio
Track length5:09
III. Allegretto grazioso
Track length4:35
IV. Vivace
Track length4:56

Awards and reviews

May 2008

Impressive instrumental mastery and good rapport. But both performances are dogged by a recorded balance which places Nakamatsu's forceful piano playing in the foreground, at the expense of Manasse's soft-grained clarinet.

March 2008

Jon Manasse has a lovely, soft tone, rich in the lower register, singing but never shrill in the upper, and warm even in the weaker centre of the instrument. He phrases beautifully, with a sense of the long line that characterises Brahms's melodies here even when they are built up of shorter component parts.

Even in this exalted company, this new disc stands out, helped by sound engineering that is natural and warm, capturing the nuances of Manasse’s and Nakamatsu’s playing with magical immediacy…
a disc to treasure.

Jon Manasse’s beautiful legato and Jon Nakamatsu’s incisive pianism are a delight.
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