Brahms: Double Concerto & Clarinet Quintet

Listen on Presto Music. Free thirty day trial. Find out more.

The stellar young Capuçon brothers seem incapable of setting a foot wrong on disc and they put their considerable chamber-music experience to great use in Brahms's final orchestral work, with... — Gramophone Classical Music Guide, 2010 More…

Release Date: 22nd Oct 2007
Catalogue No: 3951472
Label: Erato
Length: 66 minutes

Gramophone Magazine

February 2008

Editor's Choice
Building a Library

October 2022

Recommended Recording

In stock

Usually despatched within 1 working day

Excerpt, Brahms: Double Concerto for Violin & Cello in A minor, Op. 102

Work length25:53

Gautier Capuçon (cello), Renaud Capuçon (violin)
Gustav Mahler Jugendorchester
Myung-Whun Chung

I. Allegro

Track length18:05

II. Andante

Track length7:48

Brahms: Double Concerto for Violin & Cello in A minor, Op. 102: III. Vivace non troppo

Work length2:56

Gautier Capuçon (cello), Renaud Capuçon (violin)
Gustav Mahler Jugendorchester
Myung-Whun Chung

III. Vivace non troppo

Track length2:56

Brahms: Clarinet Quintet in B minor, Op. 115

Work length37:29

Gautier Capuçon (cello), Paul Meyer (clarinet), Renaud Capuçon (violin), Aki Saulière (violin), Béatrice Muthelet (viola)

I. Allegro

Track length12:48

II. Adagio

Track length11:10

III. Andantino

Track length4:44

IV. Con moto

Track length8:47

Reviews
Explore

Reviews

2010

The stellar young Capuçon brothers seem incapable of setting a foot wrong on disc and they put their considerable chamber-music experience to great use in Brahms's final orchestral work, with cellist Gautier Capuçon proving an eloquent lead in the vehement first movement.
The other striking aspect about this performance is the sheer range of colour, not only from the soloists but also from the Gustav Mahler Youth Orchestra, who play their hearts out for Myung-Whun Chung in this most symphonic of concertos. If Oistrakh and Fournier are still irresistible in the slow movement, offering a perfect balance of melodic lines that are lovingly cherished but never saccharine, the Capuçons are still very impressive, and their finale is full of vitality, making much of the folk-tinged inflections and achieving a seemingly telepathic unanimity in their shared passages.
For a change from the usual concerto companion we get Brahms's Clarinet Quintet, written in 1891, four years after the Double Concerto. In this coupling it's easy to hear the Quintet's famous autumnal quality prefigured in the outer sections of the concerto's Andante.
Paul Meyer is an ideal protagonist, producing a wide array of mellow shadings in the opening movement, yet never underplaying the more agitated passages within the piece, notably the Presto of the third movement. The quartet are minutely responsive to Meyer's every move and even seasoned Brahms aficionados will find new detail to relish in both the performances here.

Here is a Double Concerto to listen to again and again. Not least because it is rather unusual. The Capuçon brothers are accomplished chamber musicians and they often dig into this music as though in a chamber concert, taking time to explore, passing ideas between themselves. It doesn’t displace the recent Fischer/Müller-Schott, but sits alongside

February 2008

…here's a very fine reading of Brahm's Double Concerto from the stellar young Capuçon brothers. The other striking aspect about this performance is the sheer range of colour, not only from the soloists but also from the Mahler Youth Orchestra, who play their hearts out for Myung-Whun Chung in this most symphonic of concertos.

Gautier Capuçon launches into the opening cello solo with a rhapsodic freedom and expressive abandon that seems to sweep all before it. The performance is outstanding

Brahms: Double Concerto & Clarinet Quintet

CD

Contents

Download queue