Respuesta
Stefano Grondona plays the Guitar Music of Llobet
Stefano Grondona (guitar)
Awards:
-
Gramophone Magazine, October 2007, Editor's Choice
Miguel Llobet was a supremely gifted performer whose playing impressed not only fel- low guitarists Segovia and Tárrega but also Albéniz, Fauré, Debussy and Ravel. This set brings together all...
Respuesta
Stefano Grondona plays the Guitar Music of Llobet
Stefano Grondona (guitar)
Purchase product
Awards:
-
Gramophone Magazine, October 2007, Editor's Choice
Miguel Llobet was a supremely gifted performer whose playing impressed not only fel- low guitarists Segovia and Tárrega but also Albéniz, Fauré, Debussy and Ravel. This set brings together all...
About
The present recording comprises everything Llobet, giant of the modern guitar, is currently known to have composed, beginning with Romanza (1896) and ending with Preludes from 1935. His entire output is unmistakably personal, exploring new directions in guitar playing and the sort of harmonies that would have puzzled any composer-cum-guitarist who came before him.
Particularly those compositions written when he was a major successful concert performer show unmatched creative vitality and their positive, enthusiastic character demonstrates that this otherwise saturnine man could also experience and express joy, winning the listener over with warmth and humour.
Contents and tracklist
Awards and reviews
-
Gramophone MagazineOctober 2007Editor's Choice
2010
Miguel Llobet was a supremely gifted performer whose playing impressed not only fel- low guitarists Segovia and Tárrega but also Albéniz, Fauré, Debussy and Ravel. This set brings together all of Llobet's compositions for solo guitar. Grondona plays an 1887 Torres and, for the Canciones catalanas, adopts gut treble strings and silver-wound silk basses.
The playing is exceptional. Apart from employing generous rubato and portamenti – integral to the correct interpretation of this repertoire – Grondona gently emphasises Llobet's adopting a certain fingering or register in order to exploit every resource of the guitar.
This is as obvious in 'Respuesta', the virtuoso title-track from the Seven Original Compositions, with its rapid tremolo and arpeggio effects, as it is in the veiled world of pianissimo harmonics found in many of the Catalan folksong arrangements (the introduction to 'La Preço de Lleida' being a perfect example). An outstanding release in every way.
October 2007
The playing is exceptional. Apart from employing generous rubato and portamenti - integral to the correct interpretation of this repertoire - Grondona gently emphasises Llobet's adopting a certain fingering or register in order to exploit every resource of the guitar. This is as obvious in "Respesta", the virtuoso title-track from the Seven Original Compositions, with its rapid tremolo and arpeggio effects, as it is in the veiled works of pianissimo harmonics found in many of the Catalan folksong arrangements... An outstanding release in every way.