Golijov - Oceana - Deutsche Grammophon: 4776426 - download

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With its boldly flavoured mix of styles, Golijov's Oceana (1996) looks forward to the St Mark Passion (2000) – the work that put him on the musical map. The solo part was written for renowned... — Gramophone Classical Music Guide, 2010 More…

Release Date: 16th Jul 2007
Catalogue No: 4776426
Label: Deutsche Grammophon
Length: 60 minutes

Gramophone Magazine

September 2007

Disc of the Month

Golijov: Oceana

Work length26:08

$5.95

$8.05

Luciana Souza (mezzo-soprano), Jay Anderson (double bass), Jamey Haddad (percussion), Scott Tennant (guitar), John Dearman (guitar), Elisabeth Remy Johnson (harp)
Atlanta Symphony Orchestra, Atlanta Symphony Chorus, Members of the Gwinnett Young Singers
Robert Spano
Recorded: 2004-11-14
Recording Venue: Symphony Hall, Atlanta

1. Call

Track length3:30

$0.85

$1.15

2. First Wave and Rain Train Interlude

Track length1:38

$0.85

$1.15

3. Second Wave

Track length2:40

$0.85

$1.15

4. Second Call

Track length2:09

$0.85

$1.15

5. Third Wave

Track length2:11

$0.85

$1.15

6. Aria

Track length5:30

$0.85

$1.15

7. Coral del Arrecife (Chorale of the Reef)

Track length8:30

$0.85

$1.15

Golijov: Tenebrae

Work length12:56

$1.70

$2.30

Kronos Quartet (string quartet)
Recorded: 2006-11-05
Recording Venue: St. Joseph Memorial Chapel, College of the Holy Cross, Worcester

Track length6:10

$0.85

$1.15

Track length6:46

$0.85

$1.15

Golijov: Three Songs for Soprano and Orchestra

Work length21:30

$2.55

$3.45

Dawn Upshaw (soprano)
Atlanta Symphony Orchestra
Robert Spano
Recorded: 2005-11-22
Recording Venue: Symphony Hall, Atlanta

Night of the Flying Horses

Track length7:24

$0.85

$1.15

2. Lúa Descolorida

Track length6:04

$0.85

$1.15

How Slow the Wind

Track length8:02

$0.85

$1.15

Reviews
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Reviews

2010

With its boldly flavoured mix of styles, Golijov's Oceana (1996) looks forward to the St Mark Passion (2000) – the work that put him on the musical map. The solo part was written for renowned Brazilian jazz singer Luciana Souza whose solos range from impassioned invocation to angular yet elegant breeziness. The choral part is of equal prominence, however, and some of it sounds surprisingly reminiscent of Philip Glass.
The final section, 'Chorale of the Reef', makes the most powerful effect, with mesmeric, overlapping phrases, chant-like rhythms and darkly radiant harmonies. The Atlanta Chorus sing it with rapt conviction.
Oceana ebbs away to haunting silence, providing a natural segue to Tenebrae (2002), a lament for string quartet that somehow smiles through its tears. Generous arcs of slow-moving melody – often with trembling accompaniment – evoke the great Renaissance masters. Golijov introduces earthier elements – exotic scales, anxious heartbeats, flickering firelight – and the work comes full circle, concluding with a consoling meditation on a hopeful cadential gesture. Kronos, the dedicatees, give a heartfelt performance.
The Three Songs are drawn from diverse sources. 'Night of the Flying Horses' is adapted from Golijov's music for Sally Potter's film TheMan Who Cried. The drop-dead gorgeous lullaby Dawn Upshaw intones at the beginning echoes Bizet's 'Je crois entendre encore' (an aria featured in the film), while the rhapsodic instrumental conclusion is inspired by Balkan gypsy band music. 'Lua descolorida' is yet another demonstration of Golijov's gift for melody – and for establishing an other-worldly atmosphere through the simplest means. Upshaw rightly describes it as the saddest C major song she knows. 'How Slow the Wind' (Emily Dickinson) taps into a vein of Mahlerian sorrow while ravishing the ear. Upshaw's love for this music is palpable in every bar, and Spano and the Atlanta Symphony provide firm yet supple emotional support. Absolutely not to be missed.

September 2007

Choral power, a lamenting quartet and gorgeous songs: it's Golijov to savour.

Golijov - Oceana

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