Gubaidulina: In croce, etc.
Maria Kliegel (cello), Elsbeth Moser (accordion), Kathrin Rabus (violin)
Camerata Transsylvanica, Gyorgy Selmeczi
Naxos are to be congratulated for contributing to the process. There is a certain steely cool about the music-making here, a tendency to avoid the disturbing excesses of introversion and extroversion...
Gubaidulina: In croce, etc.
Maria Kliegel (cello), Elsbeth Moser (accordion), Kathrin Rabus (violin)
Camerata Transsylvanica, Gyorgy Selmeczi
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Naxos are to be congratulated for contributing to the process. There is a certain steely cool about the music-making here, a tendency to avoid the disturbing excesses of introversion and extroversion...
About
Contents and tracklist
- Maria Kliegel (cello), Elsbeth Moser (accordion)
- Recorded: 15-18 August 1995
- Recording Venue: Hanover
- Maria Kliegel (cello), Elsbeth Moser (accordion), Kathrin Rabus (violin)
- Camerata Transsylvanica
- Gyorgy Selmeczi
- Recorded: 15-18 August 1995
- Recording Venue: Hanover
- Maria Kliegel (cello), Elsbeth Moser (accordion), Kathrin Rabus (violin)
- Camerata Transsylvanica
- Gyorgy Selmeczi
- Recorded: 21-22 August 1995
- Recording Venue: Festetich Castle, Budapest
Weib, siehe, das ist dein Sohn. Siehe, das ist deine Mutter (Woman, behold thy Son. Son, behold....)
Track length4:12
Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein (Verily, I say unto thee....)
Track length3:51
Mein Gott, mein Gott, warum hast du mich verlassen? (My God, my God, why hast thou forsaken me?)
Track length9:12
Awards and reviews
Naxos are to be congratulated for contributing to the process. There is a certain steely cool about the music-making here, a tendency to avoid the disturbing excesses of introversion and extroversion that some might see as part and parcel of Gubaidulina's idiom, but, with Maria Kliegel once again proving herself a cellist of real distinct, the disc would be worth acquiring at twice the price.
