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J S Bach: Sonatas for Viola da Gamba & Harpsichord

Jonathan Manson (viola da gamba) & Trevor Pinnock (harpsichord)

J S Bach: Sonatas for Viola da Gamba & Harpsichord
Bach always wrote expressively for this eloquent member of the viol family, above all in the wonderful G minor Sonata whose outer movements adhere to the ritornello principles of a Vivaldian...

J S Bach: Sonatas for Viola da Gamba & Harpsichord

Jonathan Manson (viola da gamba) & Trevor Pinnock (harpsichord)

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Bach always wrote expressively for this eloquent member of the viol family, above all in the wonderful G minor Sonata whose outer movements adhere to the ritornello principles of a Vivaldian...

About

Trevor Pinnock is one of the most distinguished musicians of our time, an artist whose groundbreaking approach to baroque music has resulted in some of the best-selling recordings of the 20th century. Jonathan Manson is one of the most celebrated period instrument practioners of the new generation, a member of the award-winning viol quartet Phantasm and principle cellist of the Amsterdam Baroque Orchestra. Put these two musicians together to perform the music of J.S. Bach, and the results are simply spellbinding.

Contents and tracklist

Vivace
Track length5:15
Adagio
Track length5:36
Allegro
Track length3:44
Adagio
Track length3:47
Allegro ma non tanto
Track length3:31
Andante
Track length2:42
Allegro moderato
Track length3:07
Adagio
Track length1:51
Allegro
Track length3:39
Andante
Track length4:08
Allegro
Track length4:03
- Andante -
Track length8:27
Siciliano
Track length3:48
Presto
Track length5:42

Awards and reviews

August 2006

Bach always wrote expressively for this eloquent member of the viol family, above all in the wonderful G minor Sonata whose outer movements adhere to the ritornello principles of a Vivaldian concerto. Jonathan Manson and Trevor Pinnock form a hugely rewarding partnership. The controversial interplay between the instruments is animated and engaging and the rapport between the artists hardly can be placed in doubt.
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