Barry Douglas's playing and directing are insightful… technically secure, and they have that quality of being never entirely predictable, no matter how well you know the music.

…Douglas sounds if he's slept with the score and woken up loving it. There's a simple, expressive logic about his playing… Try from 3'20", where line and harmony are in perfect accord, or the unruffled calm of the Second Concerto's slow movement, another fine performance, assertive but always considerately balanced. Camerata Ireland play well, more pristinely among the winds than the strings perhaps, but with ample character.