Faultless registration and tempi; fluidity of rhythm and her ability to make the instrument sing out into the acoustic of the building are becoming hallmarks of this series. These qualities make her playing of the Choral Preludes particularly effective; a perfect balance of the melody against its contrasting accompaniment.

The chorale preludes "sing" with greater clarity, while the often wild freestyle nature of the four Praeludia…here sound more texturally detailed and chromatically varied. Her stirring conclusion to the first Praeludium in G minor is particularly ravishing.