Favourite Gilbert & Sullivan
James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan (baritone, bass-baritone), Peter Gellhorn (director, choir director), Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), George Baker/Glyndebourne Chorus/Pro Arte...
Favourite Gilbert & Sullivan
James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan (baritone, bass-baritone), Peter Gellhorn (director, choir director), Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), George Baker/Glyndebourne Chorus/Pro Arte...
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Contents and tracklist
- James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan (baritone), Peter Gellhorn (director), Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), George Baker/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-01-02
- Recording Venue: 30 December 1959 to 2 January 1960, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Pirates of Penzance or The Slave of Duty, Act 2: No. 24, Song and Chorus, "When a felon's not engaged" (Sergeant, Policemen)
Work length2:22
- Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Owen Brannigan (bass), Peter Gellhorn (director)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Pirates of Penzance, Act 2: Chorus. "With Cat-like Tread" (Chorus, Samuel)
Work length2:45
- John Cameron (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), George Baker (bass-baritone), James Milligan (Bass-Bariton) (bass), John Cameron (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), George Baker (bass-baritone), James Milligan (Bass-Bariton) (bass), John Cameron (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1957-03-15
- Recording Venue: 11-15 March 1957, No. 1 Studio, Abbey Road, London
- Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Peter Gellhorn (director), Richard Lewis (tenor), Sir Geraint Evans/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Geraint Evans (baritone), Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Jeannette Sinclair (soprano), Marjorie Thomas (contralto)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-03-15
- Recording Venue: 11-15 March 1957, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
Work length4:19
- Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Owen Brannigan (bass), Peter Gellhorn (director)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-12-14
- Recording Venue: 10-14 December 1957, No. 1 Studio, Abbey Road, London
- Alexander Young (tenor), April Cantelo (soprano), Elsie Morison (soprano), Heather Harper (soprano), Ian Wallace (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), George Baker (bass-baritone), John Cameron (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
Sullivan, A:
The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act I
Work length8:10
- Alexander Young (tenor), Edna Graham (soprano), Elsie Morison (soprano), Helen Watts (alto), James Milligan (Bass-Bariton) (bass), Lavinia Renton (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (bass-baritone), Geraint Evans (tenor), Stella Hitchens (soprano), John Cameron (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
Sullivan, A:
The Gondoliers 'The King of Barataria', Act II: Take a pair of sparkling eyes (Marco)
Work length3:20
- Richard Lewis (tenor), Alexander Young (tenor), Edna Graham (soprano), Elsie Morison (soprano), Helen Watts (contralto), James Milligan (bass-baritone), John Cameron (baritone), Lavinia Renton (soprano), Marjorie Thomas (contralto), Monica Sinclair (contralto), Owen Brannigan (bass), Peter Gellhorn (director), Geraint Evans (tenor), Stella Hitchens (soprano)
- Pro Arte Orchestra, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
Sullivan, A:
The Gondoliers (or, The King of Barataria) (1987 Remastered Version), Act II: Dance a cachucha, fandango, bolero (Chorus)
Work length2:20
- Alexander Young (tenor), Edna Graham (soprano), Elsie Morison (soprano), Helen Watts (alto), James Milligan (Bass-Bariton) (bass), John Cameron (baritone), Lavinia Renton (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (tenor), Stella Hitchens (soprano)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
Sullivan, A:
Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: When I first put this uniform on (Colonel Calverley)
Work length1:28
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), George Baker (baritone), Heather Harper (soprano), John Cameron (baritone), John Shaw (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), Heather Harper (soprano), John Cameron (bass-baritone), John Shaw (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass), George Baker (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
Sullivan, A:
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version), Act I
Work length7:10
- Alexander Young (tenor), Denis Dowling (baritone), Doreen Hume (soprano), Elsie Morison (soprano), John Cameron (baritone), John Carol Case (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (tenor), Geraint Evans (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent