In the shade of forests
The Bohemian World of Debussy, Enescu and Ravel
Philippe Graffin (violin) & Claire Désert (piano)
Awards:
-
Gramophone Magazine, December 2005, Editor's Choice
A beautiful disc, this, its message one of gentle longing and nostalgia, though the playing is anything but sentimental.
In the shade of forests
The Bohemian World of Debussy, Enescu and Ravel
Philippe Graffin (violin) & Claire Désert (piano)
Purchase product
Awards:
-
Gramophone Magazine, December 2005, Editor's Choice
A beautiful disc, this, its message one of gentle longing and nostalgia, though the playing is anything but sentimental.
About
Philippe Graffin provided one of Avie’s landmark releases, the world-premiere recording of Samuel Coleridge-Taylor’s Violin Concerto (AV 0044). He returns with a more intimate but equally innovative disc devoted to works from his homeland. The figureheads of French impression – Debussy and Ravel – are paired with Impressions by the revelatory Romanian George Enescu, for whom Paris was like a second home.
Graffin, a multiple Gramophone Editor’s Choice artist, offers some popular melodies in unfamiliar guises. A trio of Debussy miniatures – Minstrels, Il Pleure dans mon Coeur, and La fille aux cheveux de lin – are heard in arrangements by Hungarian violinist Arthur Hartmann, a close friend of the composer. Ravel’s Tzigane is heard here with the original instrument it was written for, the prepared-piano sounding lutheal, using the last known instrument (from 1922) which is housed in the Musical Instrument Museum in Brussels.
Contents and tracklist
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
- Philippe Graffin, Claire Désert
Awards and reviews
-
Gramophone MagazineDecember 2005Editor's Choice
December 2005
A beautiful disc, this, its message one of gentle longing and nostalgia, though the playing is anything but sentimental.
