Special offer. Liszt: Favourite Piano Works
Jorge Bolet (piano)
Bolet's distilled, rarefied art of spinning out a translucent lyrical line, his broad tempos, deep-toned basses and unforced sonorousness were all the products of his musicianly maturity
Special offer. Liszt: Favourite Piano Works
Jorge Bolet (piano)
Purchase product
Bolet's distilled, rarefied art of spinning out a translucent lyrical line, his broad tempos, deep-toned basses and unforced sonorousness were all the products of his musicianly maturity
About
Contents and tracklist
- Jorge Bolet (piano)
- Recorded: 1982-09-22
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-02-19
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-02-19
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1978-12-09
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-09-22
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1981-11-27
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1981-11-27
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-02-19
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1985-03
- Recording Venue: St. Barnabas, North Finchley
- Jorge Bolet (piano)
- Recorded: 1982-09-22
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1983-10-22
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1983-03-11
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1978-12-09
- Recording Venue: Kingsway Hall, London
Work length5:30
- Jorge Bolet (piano)
- Recorded: 1978-12-09
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-02-19
- Recording Venue: Kingsway Hall, London
- Jorge Bolet (piano)
- Recorded: 1982-09-22
- Recording Venue: Kingsway Hall, London
Awards and reviews
July 2010
Bolet's distilled, rarefied art of spinning out a translucent lyrical line, his broad tempos, deep-toned basses and unforced sonorousness were all the products of his musicianly maturity