Name: George Lloyd: Requiem & Psalm 150
Price: 10.17 USD
Availability: InStock

Release Date: 1st Aug 2002
Catalogue No: TROY450
Label: Albany
Length: 63 minutes

Penguin Guide

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Lloyd, G: Requiem

Work length54:00

Exon Singers, Jeffrey Makison (soloist), Stephen Wallace (soloist)
Matthew Owens

Requiem

Track length11:20

Dies Irae

Track length1:55

Tuba Mirum

Track length1:54

Mors Stupebit

Track length4:03

Liber Scriptus

Track length1:19

Dies Irae 2

Track length1:48

Quid Sum Miser

Track length1:50

Rex Tremendae

Track length1:16

Recordare

Track length4:07

Ingemisco

Track length3:36

Confutatis

Track length2:16

Lacrimosa

Track length4:47

Hostias

Track length1:34

Sanctus

Track length2:59

Agnus Dei

Track length2:02

Lux Aeterna

Track length7:14

Lloyd, G: Psalm 130

Work length9:33

Exon Singers, Jeffrey Makison (soloist), Stephen Wallace (soloist)
Matthew Owens

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About

The Requiem was George Lloyd’s final work. The score is inscribed, “Written in memory of Diana, Princess of Wales,” and the work is also a conscious leave-taking on the part of the composer. It is scored for small chorus, counter-tenor soloist and organ. The simple scale of the forces reflects Lloyd’s realization that he might not be able to complete a large orchestral score in the time he had remaining to him. The pencil score was started in the autumn of 1997 and was completed on January 23, 1998. The final proofing of the score was completed in early May 1998. George Lloyd died on July 3 of that year. The work was premiered at St. Barnabas Church, Oxford as part of the Oxford Contemporary Music Festival in Spring 2000. Lloyd used the standard Requiem text in Latin. The libera me is the usual end, but it is not considered essential, so in typical fashion, Lloyd preferred to end the work on a hopeful note, so finished with the lux aeterna. The work is quiet and reflective in tone, and is the first and only one of Lloyd’s works written for the counter-tenor voice, which lends the work a timeless quality and a particularly spiritual dimension. Although Lloyd was known for his ebullient and energetic climaxes, this work by contrast is generally quiet in tone. It is Italian in style, and moves between modal and romantic idioms and in typical George Lloyd fashion, it is unabashedly beautiful.

Psalm 130 was written in 1995 for a cappella voices, and was commissioned by Mr. John D. Owens. How obvious it is in this wonderful music that George Lloyd adored singers and the expressive power of the human voice.

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