Naive
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The Schoenberg…might be the best performance of all. I can’t recall a more hushed, breathless, furtive opening…All of a programme, then, brilliantly executed. What will this chameleon of an... — More…
Awards:
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Gramophone Magazine, February 2022, Editor's Choice
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Playing a six-course lute with an extra octave for the third course (double-string) and the upper octave unusually on the ‘thumb side’ for all courses (horses for courses, I guess), Smith here,... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Early Music
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Mozart: Così fan tutte, K588
Sophie Marin-Degor (Despina), Nicolas Rivenq (Guglielmo), Simon Edwards (Ferrando), Laura Polverelli (Dorabella), Sophie Fournier (Fiordiligi), Patrick Donnelly (Don Alfonso)
Grande Ecurie et la Chambre du Roy, Jean-Claude Malgoire
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Vivaldi: Il Teuzzone
Paolo Lopez (Teuzzone), Raffaella Milanesi (Zelinda), Delphine Galou (Zidiana), Furio Zanasi (Silvenio), Roberta Mameli (Cino), Antonio Giovannini (Egaro) & Makoto Sakurada (Troncone)
Le Concert des Nations, Jordi Savall
[Savall's] intuitive feeling for rhythm, colour and tempo enlivens recitatives and arias alike. Raffaella Milanesi and Delphine Galou, the prime donne of the opera, are vocally agile and well... — More…
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Josquin Desprez, Vol. 2
Maîtrise Notre Dame de Paris (soloist), Maîtrise des Pays de Loire (soloist)
A Sei Voci, Maîtrise des Pays de Loire, Les Sacqueboutiers de Toulouse, Ensemble Labyrinthes, Maîtrise Notre Dame de Paris, Bernard Fabre-Garrus
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Vivaldi: Farnace
Furio Zanasi, Sara Mingardo, Adriana Fernández, Gloria Banditelli, Cinzia Forte & Fulvio Bettini
Le Concert Des Nations & Coro del Teatro de la Zarzuela, Jordi Savall (director)
This wonderfully energetic and expressive score is expertly handled by Jordi Savall. There are a few rough edges, but so much of the singing is outstanding, in particular Sara Mingardo as Tamiri. — More…
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Vivaldi: Catone in Utica
Topi Lehtipuu (Catone), Roberta Mameli (Cesare), Ann Hallenberg (Emilia), Sonia Prina (Marzia), Romina Basso (Fulvio) & Emoke Baráth (Arbace)
Il Complesso Barocco, Alan Curtis
this is a fascinating and apt reconstruction and there is some marvellous stuff here...This recording includes outstanding contributions from Roberta Mameli (Caesar), Ann Hallenberg (Emilia),... — More…
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