Mirare
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Saint-Saëns, Debussy, Hahn & Pierné: La sonate de Vinteuil
Nathalia Milstein (soloist), Maria Milstein (soloist)
There’s an intimacy – an instinctive ebb and flow – about the pair’s interplay that makes everything here feel like real chamber music. They charge Debussy’s central Intermède with an intense... —
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these are remarkably perceptive, stylish and penetrating readings that give this glorious music its full due. For a group that has been in existence for only five years this is an especially... —
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these are readings of considerable insight and overall quality. This is quartet playing of a high order, integrated, with each player seemingly fully cognisant of his colleagues' parts, the... —
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Saint-Saëns - Piano concertos Nos. 2 & 5
Brigitte Engerer (piano)
Ensemble Orchestral de Paris, Andrea Quinn
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Purcell - Cease, Anxious World
Songs & chamber music
Benjamin Perrot (theorbe & direction)
La Rêveuse
Hassler's pure tone, delicate decorations, easy phrasing and profound connection to the poetry are complemented by La Rêveuse's ensemble of violins, triple harp, organ, harpsichord and theorbo. —
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A total triumph and arguably Queffélec's finest album to date. —
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Pennetier focuses on the intimate nature of some of Faure's loveliest early piano works, casting them in a serious light. A beautiful selection, sympathetically played, if sometimes a little... —
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