Mirare
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Sisters Nathalia and Maria Milstein explore the influence of time and place on Ravel’s chamber music. A chronological programme highlights his development superbly, with fine sound and impressive... —
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Engerer's are interpretations that are extraordinarily thoughtful, sympathetic and deeply felt...the essential musical argument emerges with crystalline clarity and seeming ease. The idiosyncratic... —
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Brahms: Piano Concerto No. 2
Boris Berezovsky (piano)
Orchestre Philharmonique de l’Oural, Dmitri Liss
This must be one of the fastest Brahms Second Concertos on disc...Some of it is, perhaps, just too impetuous but how thrilling it is to hear the music taken by the scruff of the neck and handled... —
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His rubato is of a caressing warmth and suppleness, a constant ebb and flow that characterises every aspect of Granados's sumptuously bejewelled score, and his romantic leeway is very much his... —
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a finely judged recital —
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Purcell & Blow: Odes & Songs
Carlos Mena & Damien Guillon (countertenors) & Philippe Pierlot (bass viol, direction)
Ricercar Consort
Mena and Guillon both sound entirely at ease with Dryden's eloquent English and the musical moods to illustrate literary illusions are captured poignantly...the recorders blend sensitively with... —
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Wien 1925
Marie-Josèphe Jude (piano) & François-Marie Drieux (violin)
Orchestre Poitou-Charentes, Jean-François Heisser
the Chamber Concerto is not easily approachable and I don't think it is wrong to try and sweeten it with a little Viennese schmaltz. The title of Mirare's disc suggests that that is exactly... —