LSO Live
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Mendelssohn: Symphonies Nos. 1 & 4 'Italian'
RecommendedLondon Symphony Orchestra, Sir John Eliot Gardiner
Gardiner keeps the LSO on its toes both in the C minor work and the Italian symphony, the winds producing crystal-clear articulation the hair-raisingly fast account of the latter’s concluding... — More…
Awards:
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Presto Recording of the Week, 9th September 2016
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Gramophone Magazine, October 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Strauss: Also Sprach Zarathustra – Debussy: Jeux
RecommendedLondon Symphony Orchestra, François-Xavier Roth
As with his earlier recording [of Also sprach], Roth never loses sight of the work’s structure, tying everything together with the surest of touches, but this new account adds to that a new... — More…
Awards:
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Presto Recording of the Week, 24th March 2023
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Clean-heeled athleticism and rhythmic spring — More…
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[Simovic] encourages a soaring cantabile reminiscent of Herbert von Karajan's early 1980s take [on the Serenade] with the Berlin Phil, but without the German's sheer heft...If the Tchaikovsky... — More…
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Schubert: Death and the Maiden & Shostakovich: Chamber Symphony in C Minor
LSO String Ensemble, Roman Simovic
Roman Simovic has a tendency to launch phrases with a penetrating sniff but secures characterful and energetic results, the very occasional imprecision let through in the interests of emotional... — More…
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Handel: Messiah Susan Gritton (soprano), Sara Mingardo (contralto), Mark Padmore (tenor), Alastair Miles (bass)
Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
Sir Colin Davis's way with Messiah, as recorded live at the Barbican last December, is old-fashioned by present-day standards. His soloists are all good. The Tenebrae Choir, with its thirty-odd... — More…
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Recorded in remarkably vivid sound at the Barbican in December 2019, this is an exceptionally fine performance. Gianandrea Noseda brings a tremendous sense of strength and purpose to the opening...The... — More…
Awards:
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BBC Music Magazine, March 2022, Orchestral Choice
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Znaider’s lovely tone and delicacy of touch are a pleasure, and the LSO, taught by Colin Davis to play as chamber musicians, support him faithfully. — More…
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Haydn: The Creation (sung in German)
Sally Matthews, Ian Bostridge & Dietrich Henschel
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
…Colin Davis's… response to the actual sound of the piece is beautifully managed throughout, with Haydn's sense of wonder coming vividly alive. The LSO is on unimpeachable form, with many thrilling... — More…
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Beethoven: Fidelio, Op. 72
Christine Brewer (Leonore), John MacMaster (Florestan), Daniel Borowski (Don Fernando), Juha Uusitalo (Don Pizarro), Kristinn Sigmundsson (Rocco), Sally Matthews (Marzelline), Andrew Kennedy (Jaquino)
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
…Colin Davis's conducting of the London Symphony Orchestra and the vocal forces is so impressive that it ranks with the greatest accounts I have ever heard of this work… Christine Brewer is... — More…
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