Browse: LSO Live (label)
This page lists all recordings from the label LSO Live.
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An excellent and often urgent Fifth, the opening forceful but unforced, pressing forwards rather in the manner of the Kleibers. I can’t recall having heard a prouder, more mobile or more expressively... — More…
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…Davis is marvellous at bringing out the subtleties of Elgar's orchestration. Subsidiary middle voices that are often inaudible at the hands of less sensitive interpreters are beautifully clear... — More…
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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'
Viktoria Yastrebova, Ailish Tynan, Ludmila Dudinova (sopranos), Lilli Paasikivi, Zlata Bulycheva (mezzo-sopranos), Alexey Markov (baritone), Sergey Semishkur (tenor) & Evgeny Nikitin (bass)
Choir of Eltham College, Choral Arts Society of Washington, London Symphony Chorus & London Symphony...
As a concert venue St Paul's Cathedral's problems remain acute: chief culprit is the building's notorious nine-second reverberation period which gives climaxes earth-shattering power but reduces... — More…
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LSO on the Big Stage
Barry Tuckwell (horn), Gregory Kunde (tenor), Andrew Foster-Williams (bass-baritone), Andrew Kennedy (tenor), Simon O'Neill (tenor), Gerald Finley (bass-baritone), Lars Woldt, Christine Brewer (soprano), Laura Claycomb (soprano), Peter Coleman-Wright (baritone), Darren Jeffery (bass-baritone), John...
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Music for Royal Occasions
London Symphony Orchestra Brass, Eric Crees, Barry Tuckwell (horn), Antonio Pappano (piano), Peter Coleman-Wright (baritone)
London Symphony Orchestra, Monteverdi Choir, Tenebrae, London Symphony Chorus, Sir Colin Davis, Rafael Frühbeck de Burgos, Sir John Eliot Gardiner, Sir Charles Mackerras,...
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The orchestra plays superbly, and there are plenty of indications that the conductor has taken note of recent changes in attitude to Beethoven performance, such as giving prominence to the woodwind... — More…
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Sir Peter Maxwell Davies: Symphony No. 10
Markus Butter (baritone)
London Symphony Chorus, London Symphony Orchestra, Sir Antonio Pappano
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[Noseda] has a firm handle on the depth and breadth of the symphony, chronicling his way through its empty wastes and bone-crushing upheavals of rolling percussion. The first movement’s long... — More…
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