LPO
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Jukka-Pekka Saraste conducts Sibelius & Lutosławski
Recorded live at Southbank Centre’s Royal Festival Hall, London, on 20 February 2008 (Lutosławski) and 15 October 2008 (Sibelius)
London Philharmonic Orchestra, Jukka-Pekka Saraste
Both Sibelius works come across very strongly here...Saraste sees these works whole. Always the right thing seems to happen at the right time. The sense of growth from a simple but potent musical... — More…
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Older conductors have a knack of searching out the metaphysical in Bruckner...Tempi are wonderfully sustained – “old” does not always mean “slow” – and climaxes are reached patiently and lyrically,... — More…
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…Finn Paavo Berglund is now the composer's most authoritative living interpreter. Hearing his live recording of the Seventh Symphony, a lifetime's questioning distilled in a single monolithic... — More…
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Elgar: Introduction & Allegro, Enigma Variations & Britten: Our Hunting Fathers
Heather Harper (soprano)
London Philharmonic Orchestra, Bernard Haitink
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The Post-War Revival
Eugenia Zareska (mezzo-soprano)
London Philharmonic Orchestra, Eduard van Beinum
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Sir Adrian Boult: A Musical Legacy, Vol. 2
Christopher Bunting (soloist), Patricia Bishop (soloist)
London Philharmonic Orchestra, Sir Adrian Boult
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Strauss: Symphonia Domestica & Rimsky-Korsakov: Scheherazade
London Philharmonic Orchestra, Zubin Mehta
2 CDs
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Brahms: Ein Deutsches Requiem, Op. 45
Elizabeth Watts (soprano) & Stéphane Degout (baritone)
London Philharmonic Orchestra and Choir, Yannick Nézet-Séguin
It's an extraordinary interpretation: for one thing, at least in the first two movements, it must be the slowest account I've ever heard...Yet, to be fair, the effect is neither glacial nor... — More…
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Paavo Berglund conducts Sibelius
Symphonies recorded live at Southbank Centre’s Royal Festival Hall, London on 31 May 2003 (Symphony No. 5) and 6 December 2003 (Symphony No. 6). The Swan of Tuonela recorded live at Southbank Centre’s Queen Elizabeth Hall, London on 22 September 2006.
London Philharmonic Orchestra, Paavo Berglund
Both interpretations have impressive strengths, with Berglund's familiar and admirable no-nonsense directness everywhere in evidence, and with much fine and vividly focused orchestral playing... — More…
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