Linn
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Special offer. Mozart: Divertimento K334 & Oboe Quartet K370
Alexander Janiczek (director & violin), Robin Williams (oboe)
Scottish Chamber Orchestra
This highly enjoyable performance is directed from the first-violin chair by Alexander Janiczek, who spins a fine, lithe line, with minimal vibrato, articulating the phrasing with deft bowing.... —
Awards:
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Gramophone Magazine, February 2012, Editor's Choice
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The Irish Baroque Orchestra play with devil-may-care aplomb. —
Awards:
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BBC Music Magazine, August 2016, Concerto Choice
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Special offer. Giacomo Susani: A Screenshot of Now
Daniel Norman (tenor), Giacomo Susani (guitar), Tim Mead (tenor), Alexander Chance (countertenor), Chinwe D. John (narrator)
This is a rare find: a beautiful slow burner that gives up its treasures subtly. Hats off too to Linn Records for a vibrant, naturalistic sound. —
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Special offer. Fasch: Quartets and Concertos
Peter Whelan (bassoon), Pamela Thorby (recorder)
Ensemble Marsyas
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the performances here are sprightly, clear and sensible. Nepomnyashchaya keeps to tight parameters when it comes to registration and ornamentation, nothing too adventurous or beyond the bounds... —
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Special offer. Richard Strauss and the Viennese Trumpet
Jonathan Freeman-Attwood (trumpet), Chiyan Wong (piano)
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Franck's Prélude, Aria and Final and Reger's Variations and Fugue on a Theme by Bach are big in both scale and ambition, with the admirable Lanyi drawing out their many and varied colours superbly. —
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Special offer. Sibelius: Finlandia, En Saga, The Swan of Tuonela, The Oceanides, Valse Triste, King Christian II Suite
BBC National Orchestra of Wales, Thomas Søndergård
Søndergård’s approach conjures a pulsing energy of the kind which seems to well up from within the music itself, rather than being driven from without; he also has a canny awareness of how a... —
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Special offer. Our Gilded Veins
Katherine Bryan (flute), Henry Clay (cor anglais)
Royal Scottish National Orchestra, Rory MacDonald
Suckling’s quiet close featuring (pre-recorded) bells is undeniably affecting. If it and Clyne’s elegy are the expressive focal points of the album, then Rosemary Furniss’s arrangement for strings... —
