Linn

Listeners resigned to heavy, ponderous readings of the D major, E flat and B flat minor Fugues will be relieved at Butt's joyful speeds, as well as his fluid and flexible accounts of the ricecare-like... — Gramophone Magazine, January 2015 More…

There’s an impressive level of excellence throughout, though Swensen is adaptable to moods between and within concertos…I love his natural way with slow movements, especially Mendelssohn’s and... — BBC Music Magazine, February 2019, 5 out of 5 stars More…

The success of this effort stems as much from the ever-changing colors and textures of Koffler’s transcription as from Pinnock’s inspired and tasteful direction. The instruments are all modern,... — Fanfare, July/August 2021 More…

With each instrumental sound identical, it is all clear as day. Kuniko’s musicianship is colossal from bongo to piccolo…Hearing Kuniko’s voice in harmony with itself, and the forest of overtone... — Gramophone Magazine, November 2018 More…

Dreyfus’s transcriptions generate fresh insights into the workings of Bach’s contrapuntal ingenuity and humanity – the latter not least because of the communal nature of the discourse, liberated... — BBC Music Magazine, June 2021, 5 out of 5 stars More…

It’s recorded in a way to convey to the maximum both the poetic detail and the expert pacing of Knussen’s finely-pointed reading, and to give full rein to Dame Harriet’s wonderfully free-spirited... — BBC Music Magazine, October 2017, 4 out of 5 stars More…

Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — Gramophone Magazine, August 2013 More…

The players of the upper lines are well matched in tone and approach, over purposeful continuo support and in clear textures, well caught by the recording. It’s a pleasure to hear this talented... — BBC Music Magazine, October 2019, 4 out of 5 stars More…